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On the Farm

Heritage and Heralded Animal Breeds in Portraits and Stories

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A collection of moving and soulful portraits of beloved farm animals, alongside surprising facts, entertaining anecdotes, and captivating histories of these heritage breeds on American farms.

“The beauty and breadth of heritage animal breeds is on full display in this delightful and gorgeous book.”—Isabella Rossellini, actress and author of My Chickens and I

Animal lovers, homesteaders, eco-conscious consumers, and fans of beautiful photography alike will cherish the charm of On the Farm’s stunning portraits and stories. With over 150 photographs, renowned animal photographer Aliza Eliazarov invites us to take a closer look at the animal breeds taking center stage in the regenerative farming movement. 

Along with fun facts about the domesticated animals who have shaped and changed our world—goats, sheep, cows, horses, donkeys, llamas, alpacas, pigs, chickens, turkeys, ducks, geese, and farm dogs—On the Farm features sometimes quirky, sometimes harrowing personal tales of amazing animals. Meet Bilbo, the donkey in love with truck tires; Kurt, the diminutive Angora goat with a miraculous birth story;and Princess Peppermint, an anxious pig with a taste for cocktails. The focus on rare and heritage breeds will enlighten and inform you about the astonishing variety of livestock and poultry, as well as the impact that the loss of this biodiversity is having on global food security.

Equal parts fine art and field guide, shot entirely on location at small farms and homesteads, On the Farm delivers us to the pastoral with an enjoyable meditation on the animals that civilization has grown alongside.
“Aliza Eliazarov is to farm animals what Richard Avedon was to fashion—the absolute, genre-defining best of all time. If that sounds like hyperbole to you, open this book. The proof is in the pictures: of a pig laughing, a baby lamb taking its first steps, a Modern Game cockerel puffing out his chest, a literal horse’s ass. Tender, humorous, and heartbreakingly human, Eliazarov’s photographs serve as a welcome reminder that we brash bi-peds are but animals, too.”—Sarah Gray Miller, former editor-in-chief of Modern Farmer and current editor-in-chief of Saveur

“Industrial agriculture has commodified animals raised for food, causing untold suffering and a staggering loss of genetic diversity. Most of us now exist so far from the farm that we don’t know the whimsical mischief in a goat’s eye, the poignancy of a cow’s presence, or the pert opinions of chickens. Aliza’s incisive photographs capture not only the quirky, comedic characters of farm animals, but also their dignity and profound value as individuals.”—Daisy Freund, senior director of farm animal welfare at ASPCA 
Aliza Eliazarov is a photographer and the author of On the Farm, also published by Ten Speed Press. She’s had the great honor of being a United States Postal Artist for the Heritage Breeds forever stamps released in 2021. Aliza is the former lead photographer at BarkBox and cover story photographer for Modern Farmer magazine. She and her husband, Edward Doty, met in photography school at the International Center of Photography and have since collaborated on several projects. Their individual work has been exhibited in the United States and abroad. They live in Kittery, Maine, with their best dog, Ducky. View titles by Aliza Eliazarov
How I Got to the Farm


Sitting on the barn floor, surrounded by dust and hay, I test the strobe lights and scan the backdrop. Within the past hour, the old barn has been transformed into a photo studio. Tractors and hay bales have been moved aside to make way for cameras and light stands. A formal studio set in a rustic barn may seem out of place, but it feels just right to me. There is no place I’d rather be.

The farmer, Faith, enters with my first subject, using treats to guide A Cappella the alpaca until she’s in front of the backdrop. I focus the lens on my subject, and I wait. I observe the contours of her body, the shape of her head, the movement of her neck. I look into her eyes. She looks back. We see each other. We’re connected. The moment I’ve been waiting for. The shutter clicks. The lights flash. A portrait is made.

Back in 2010, it became impossible for me to ignore the agricultural revolution quietly spreading across the United States. A legion of farmers had committed to sustainable and ethical farming, offering an alternative to the American industrialized food system. Even from the sidelines, it was exhilarating to witness. People were farming in big cities, suburban backyards, and reclaimed rural land.

The passion of this new crop of farmers led me to examine my own connection to food. The most basic farming practices were completely foreign to me, and farm animals felt very far away. I realized I didn’t know nearly enough about how the food I bought at the supermarket really arrived there, and I set out to confront this disconnect through photography. Drawn to the burgeoning community of backyard poultry enthusiasts, I started with an animal that felt approachable: the chicken.

Over the next few years, my reverence for farmers was reaffirmed as my sense of wonder for heritage breeds grew. I fell in love with every donkey, goat, and duck I met and became obsessed with learning more about their rich histories, personal stories, and unique beauty. Beyond that, I came to understand the urgency of documenting these animals, many of which are under threat of extinction.

In 2019, my husband and I packed our bags and hit the road. Together, we spent months traveling to small farms to photograph subjects and interview farmers. We heard fantastic and heart-warming stories about so many creatures. There’s Andy, the charismatic turkey rescued in Virginia; Okemo, a gentle therapy donkey in New Hampshire; and Princess Peppermint, a spunky pig in Vermont. It’s been a muddy and joyous journey, filled with surprises and new connections to the farmers who are working to keep these breeds alive and thriving. Being in the company of these animals is exciting, soul soothing, and magical.

Photographing animals is always unpredictable, and there are endless surprises. I’ve spent many hours looking at the ass end of animals who refuse to turn around. Even then, I feel pretty lucky.

About

A collection of moving and soulful portraits of beloved farm animals, alongside surprising facts, entertaining anecdotes, and captivating histories of these heritage breeds on American farms.

“The beauty and breadth of heritage animal breeds is on full display in this delightful and gorgeous book.”—Isabella Rossellini, actress and author of My Chickens and I

Animal lovers, homesteaders, eco-conscious consumers, and fans of beautiful photography alike will cherish the charm of On the Farm’s stunning portraits and stories. With over 150 photographs, renowned animal photographer Aliza Eliazarov invites us to take a closer look at the animal breeds taking center stage in the regenerative farming movement. 

Along with fun facts about the domesticated animals who have shaped and changed our world—goats, sheep, cows, horses, donkeys, llamas, alpacas, pigs, chickens, turkeys, ducks, geese, and farm dogs—On the Farm features sometimes quirky, sometimes harrowing personal tales of amazing animals. Meet Bilbo, the donkey in love with truck tires; Kurt, the diminutive Angora goat with a miraculous birth story;and Princess Peppermint, an anxious pig with a taste for cocktails. The focus on rare and heritage breeds will enlighten and inform you about the astonishing variety of livestock and poultry, as well as the impact that the loss of this biodiversity is having on global food security.

Equal parts fine art and field guide, shot entirely on location at small farms and homesteads, On the Farm delivers us to the pastoral with an enjoyable meditation on the animals that civilization has grown alongside.

Praise

“Aliza Eliazarov is to farm animals what Richard Avedon was to fashion—the absolute, genre-defining best of all time. If that sounds like hyperbole to you, open this book. The proof is in the pictures: of a pig laughing, a baby lamb taking its first steps, a Modern Game cockerel puffing out his chest, a literal horse’s ass. Tender, humorous, and heartbreakingly human, Eliazarov’s photographs serve as a welcome reminder that we brash bi-peds are but animals, too.”—Sarah Gray Miller, former editor-in-chief of Modern Farmer and current editor-in-chief of Saveur

“Industrial agriculture has commodified animals raised for food, causing untold suffering and a staggering loss of genetic diversity. Most of us now exist so far from the farm that we don’t know the whimsical mischief in a goat’s eye, the poignancy of a cow’s presence, or the pert opinions of chickens. Aliza’s incisive photographs capture not only the quirky, comedic characters of farm animals, but also their dignity and profound value as individuals.”—Daisy Freund, senior director of farm animal welfare at ASPCA 

Author

Aliza Eliazarov is a photographer and the author of On the Farm, also published by Ten Speed Press. She’s had the great honor of being a United States Postal Artist for the Heritage Breeds forever stamps released in 2021. Aliza is the former lead photographer at BarkBox and cover story photographer for Modern Farmer magazine. She and her husband, Edward Doty, met in photography school at the International Center of Photography and have since collaborated on several projects. Their individual work has been exhibited in the United States and abroad. They live in Kittery, Maine, with their best dog, Ducky. View titles by Aliza Eliazarov

Excerpt

How I Got to the Farm


Sitting on the barn floor, surrounded by dust and hay, I test the strobe lights and scan the backdrop. Within the past hour, the old barn has been transformed into a photo studio. Tractors and hay bales have been moved aside to make way for cameras and light stands. A formal studio set in a rustic barn may seem out of place, but it feels just right to me. There is no place I’d rather be.

The farmer, Faith, enters with my first subject, using treats to guide A Cappella the alpaca until she’s in front of the backdrop. I focus the lens on my subject, and I wait. I observe the contours of her body, the shape of her head, the movement of her neck. I look into her eyes. She looks back. We see each other. We’re connected. The moment I’ve been waiting for. The shutter clicks. The lights flash. A portrait is made.

Back in 2010, it became impossible for me to ignore the agricultural revolution quietly spreading across the United States. A legion of farmers had committed to sustainable and ethical farming, offering an alternative to the American industrialized food system. Even from the sidelines, it was exhilarating to witness. People were farming in big cities, suburban backyards, and reclaimed rural land.

The passion of this new crop of farmers led me to examine my own connection to food. The most basic farming practices were completely foreign to me, and farm animals felt very far away. I realized I didn’t know nearly enough about how the food I bought at the supermarket really arrived there, and I set out to confront this disconnect through photography. Drawn to the burgeoning community of backyard poultry enthusiasts, I started with an animal that felt approachable: the chicken.

Over the next few years, my reverence for farmers was reaffirmed as my sense of wonder for heritage breeds grew. I fell in love with every donkey, goat, and duck I met and became obsessed with learning more about their rich histories, personal stories, and unique beauty. Beyond that, I came to understand the urgency of documenting these animals, many of which are under threat of extinction.

In 2019, my husband and I packed our bags and hit the road. Together, we spent months traveling to small farms to photograph subjects and interview farmers. We heard fantastic and heart-warming stories about so many creatures. There’s Andy, the charismatic turkey rescued in Virginia; Okemo, a gentle therapy donkey in New Hampshire; and Princess Peppermint, a spunky pig in Vermont. It’s been a muddy and joyous journey, filled with surprises and new connections to the farmers who are working to keep these breeds alive and thriving. Being in the company of these animals is exciting, soul soothing, and magical.

Photographing animals is always unpredictable, and there are endless surprises. I’ve spent many hours looking at the ass end of animals who refuse to turn around. Even then, I feel pretty lucky.