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Those We Left Behind

Paperback
$17.95 US
5.51"W x 8.25"H x 1.02"D   | 14 oz | 28 per carton
On sale Aug 02, 2016 | 386 Pages | 9781616956806
Blood has always been thicker than water for two Northern Irish brothers caught in the Belfast foster system, but a debt of past violence will be paid by not just them, but also by those they left behind.

Ciaran Devine, who made Belfast headlines seven years ago as the “schoolboy killer,” is about to walk free. At the age of twelve, he confessed to the brutal murder of his foster father; his testimony mitigated the sentence of his older brother, Thomas, who was also found at the crime scene, covered in blood. But DCI Serena Flanagan, the only officer who could convince a young, frightened Ciaran to speak, has silently harbored doubts about his confession all this time.

Ciaran’s release means several things: a long-anticipated reunion with Thomas, who still wields a dangerous influence over his younger brother; the call-to-action of a man bent on revenge for his father’s death; and major trouble for Ciaran’s assigned probation officer. Meanwhile, Serena Flanagan has just returned to the force from her battle with breast cancer, only to endure the pitying looks of her coworkers and a mountain of open case files. She will soon discover that even closed cases can unleash terror on the streets of Belfast.
Praise for Those We Left Behind 

A New York Times Best Crime Novel of 2015
A Los Angeles Times Best Mystery Book of 2015
Boston Globe Best Book of 2015

An Irish Times Best Crime Novel of 2015
Milwaukee Journal Sentinel Best Book of 2015

"Neville's books are dark but elegantly written case studies of the roots of violence, and here he writes thoughtfully, about children who come from the streets, go through the foster programs and prison systems, and are either reborn or dragged back into the sorrows that are their inheritance."
—The New York Times Book Review 

"Those We Left Behind is a great, brawling ache of a novel. Filled with both prickling suspense and fiercely wrought emotion, it’s a tale of the burdens of family and the weight of the past. And at its center, holding it all together, is DCI Serena Flanagan, the bruised and compassionate hero for whom we’ve all been waiting."
—Megan Abbott, author of The Fever

“In the world of modern crime fiction, Stuart Neville is a supernova. I buy his books the day they’re released because I can’t wait to see where he takes me next. And I’m never disappointed.”
—Dennis Lehane

"How good does crime writing get? Read this latest from Stuart Neville. DCI Serena Flanagan is back. The setting is Belfast, the writing is superb, the characters unforgettable and the plot as slick as the latest headline."
—The Globe and Mail

"Primo noir."
—The Austin Chronicle

"Stuart Neville has been masterfully capturing the mean streets of Belfast in a series of thrillers, each arguably more powerful than the last. His latest, Those We Left Behind, in which he ups his game by about 10 notches, is a robust police procedural that also impressively plumbs his varied characters’ psychological vulnerabilities."
—The Boston Globe

"In Stuart Neville’s Belfast, the police are not icons of virtue, just less flawed than the criminals they are trying to help. Neville creates a sense of menace that jumps off the page, but with an underlying poetry that keeps you hoping innocence will prevail."
—Salem Macknee, Raleigh News & Observer

"The dread in this novel is palpable from the first pages until the heartbreaking final ones. It's Neville's best yet."
—Carol Barrowman, The Milwaukee Journal Sentinel

"Neville brings to the table his trademark powers of characterization and storytelling, sharply honed, in this tale of consequence and revenge."
—Bookreporter.com

"[A] searing, deeply affecting psychological thriller . . . Neville demonstrates once again that he’s a literary force to be reckoned with."
—Publishers Weekly, Starred Review

"Neville has the gift of making us care about the fate of each of his creations, whether they are convicted killers, cops, or innocent bystanders. Another winner, this is fast-paced and intriguing to the very end."
—Library Journal, Starred Review

"If crime connoisseurs take only one book to the beach this summer they should make sure it is Those We Left Behind by Stuart Neville, in which the absolute master of Belfast Noir delivers a sustained crescendo of creeping menace."
—Irish Independent

"His best novel since his debut, [The Ghosts of Belfast] . . . Flanagan is a compelling character, professionally capable and hard nosed but emotionally vulnerable in her private life, although it’s young Ciaran Devine who is the most haunting character."
—Declan Burke, The Irish Times

"[A] gripping tale of two brothers and one policewoman in Northern Ireland fighting to come to terms with peacefully living in a land still torn by the divisions of religious intolerance, and the deep scars it has left on its people."
—Herald Scotland, Pick of the Week


"A grim tale of dependence and obsession."
—Kirkus Reviews

"Psychologically astute."
—Booklist

"Deeply chilling but full of tenderness, this multi-stranded story is utterly compelling. The best book yet from a hugely talented writer."
—Sunday Mirror

"Stuart Neville is one of the most distinctive of the new crime writers from Ireland and Northern Ireland."
—The Life Sentence

"Chilling . . . Stays in the upper levels of intensity that drive the best of its genre."
The Longest Chapter

"Another triumph"
—Bookgasm


Praise for the Belfast Thrillers

“Neville’s novel is a coldly lucid assessment of the fragility of the Irish peace . . . A rare example of legitimate noir fiction.”
 —The New York Times Book Review

“Not only one of the finest thriller debuts of the last ten years, but also one of the best Irish novels, in any genre, of recent times.”
—John Connolly, New York Times bestselling author of The Wolf in Winter

“It’s a flat-out terror trip.”
—James Ellroy, New York Times bestselling author of Perfidia

“Never forgets the human heart that beats inside the bleakest darkness.”
—Val McDermid, author of The Skeleton Road

“Stuart Neville has a lock on dread . . . Full-bodied and credible.”
Pittsburgh Post-Gazette
Stuart Neville, the “king of Belfast noir” (The Guardian), is the author of nine novels, for which he has won the  Los Angeles Times Book Prize and been shortlisted for the Edgar, Macavity, Dilys, Barry, and Anthony Awards as well as the CWA Steel Dagger. He lives near Belfast.
1

When Paula Cunningham heard the news about the boy’s release, she knew the case would fall to her. She had felt no surprise when Edward Hughes called her to his office. The file had been waiting for her on the boss’s desk, half an inch of reports, assessments and evaluations. It pulled a bitter curse from her throat.
      City centre traffic hummed and rattled beneath Hughes’s window, car horns sounding, someone whistling for a taxi. She turned the pages while Hughes chewed a pen at the other side of the desk.
     A single photograph of Ciaran Devine at the front, hollow eyes and blank face, a little boy long gone.
     They’d used the same picture in the Sunday red top she’d read at the weekend. Schoolboy Killer to Be Released, the headline had screamed above a half-page story.
     She knew as soon as she saw it. Just knew.
     “Any way out of this?” she asked.
     Hughes shook his head. “None at all. The young fella needs your experience.”
     “What about Terry Grimes?”
     “Terry’s tied up. It’s your case, and that’s all there is to it. You can handle him. He’s been good as gold on his temporary releases. Tom Wheatley at the hostel says he was no bother at all when he stayed over.”
     The boy would have had excursions accompanied by one of his case managers. Shopping trips, a meal at McDonald’s, a walk in the park. Finally, they would have allowed him a night in the hostel off the Saintfield Road, in the south of the city.
     She pictured him sitting in the small, clean room, perhaps counting coins in the palm of his hand, trying to grasp the simple acts other people took for granted. Going to a shop counter, asking for what he wanted, saying please and thank you.
     Cunningham remembered taking a lifer called Brian to a newsagent’s. He had mumbled, “Polo mints, please.” The shopkeeper had set the sweets on the counter. Brian, who had strangled his girlfriend to death after a drinking binge, had grabbed the packet, dropped a twenty-pound note in its place, and walked out of the shop.
     When she’d caught up with him, his change in her hand, Cunningham asked why.
     Brian had stood there on the pavement, blinking tears from his eyes, before he said, “Cause I don’t know what they cost.”
     Remove a man from the world for years then drop him back into it, expecting him to simply pick up where he left off. It doesn’t work. He’ll be lost. And Ciaran Devine would be no different.
     Cunningham had entered the Probation Service twelve years ago, not long after gaining her MSc in clinical psychology. As a postgraduate student, she had spent summers working on the wards of psychiatric units, then a year in Maghaberry prison, counselling inmates. She had learned things in those days that would stay with her until her last breath, like the terrible cost of casual violence, and how poorly the system dealt with those who inflicted it.
     In all those dozen years, Cunningham wasn’t sure if she’d ever done any good.
     She let the air out of her lungs, wished for a cigarette. “All right,” she said. “When’s the ADR?”
     “He gets out Wednesday. That gives you a week to prepare.”
     “Jesus, how am I supposed to prepare for this?”
     Hughes put his forearms on the desk. “In a thorough, diligent and professional manner.”
     Cunningham glanced at him over the open file. He probably thought he was giving her his serious face, but he looked more like a prissy matron. Edward Hughes was on the large side, yet he had a countenance more like that of a schoolboy than a man well into middle age.
     “What about the brother?” Cunningham asked.
     “Thomas? He’s kept out of trouble since his release. He’s not supervised anymore.”
     The newspaper had also carried a picture of Thomas Devine, smaller than that of Ciaran, tucked away on the second page. Older, leaner, darker. Handsome like his brother, but in a sharper, more jagged way.
     An image flashed in her mind: the boys escorted towards the side entrance of the courthouse, blankets over their heads, a uniformed policeman at each arm, followed by the detectives who got the confession, brilliant camera flashes, screams of hatred from the onlookers.
     No one knew the boys’ names then, the press ordered to keep quiet.
     “He didn’t go for a Mary Bell order?” Cunningham asked. A new identity, a lifetime of secrets, named after a little English girl who did two unspeakable things almost half a century before.
     “Thomas gave it a go,” Hughes said. “The judge threw it out. He didn’t reckon they were under sufficient threat.”
     The names had appeared in the papers more than a year and a half ago when Ciaran had turned eighteen. His minimum tariff of six years had expired, but he continued to be held at the Secretary of State’s Pleasure. The local Belfast journalists salivated over a potential release, stored up their bile and outrage. Politicians gave stiff-lipped opinions that amounted to nothing.
     “God help him,” Cunningham whispered.
     She hadn’t meant to say it out loud. She glanced up at Hughes, expecting a reproach.
     He said, “God help the both of you.”

2
Detective Chief Inspector Serena Flanagan punched in her key code and entered the station’s core. A walled compound containing a cluster of redbrick buildings, small windows, a fortress in the heart of Lisburn, built to shield its occupants from bullets and bombs. Flanagan avoided all stares, averted her eyes, as she made her way to the second floor and the office she hadn’t seen in four months. Whispers followed her through the corridors and stairwells.
     “Ma’am,” a voice called.
     Flanagan pretended she hadn’t heard it, kept walking, her door only a few yards away now.
     “Ma’am.”
     She stopped, gave a silent curse, and turned.
     Detective Inspector John Hoey, a coffee in one hand, a sheaf of papers in the other. Flanagan offered a smile, a nod.
     “Good to see you back,” he said as he approached. “How are you feeling?”
     “Not bad,” she said. “Looking forward to getting to work.”
     “I see your hair grew back.”
     Flanagan had turned to leave, but his words stopped her. “Excuse me?”
     “From your treatment.” He raised his coffee cup, pointing a finger at her head. His face dropped. “Oh. Is it a wig?”
     Flanagan took a breath. Gave him a patient smile. “I didn’t have chemotherapy,” she said. “Just radiotherapy. So I didn’t lose my hair.”
     “Oh,” he said. “Oh, good. I was wondering, will you be getting your team back together?”
     “Yes,” she said. “As soon as I get caught up, see who’s still available.”
     “I’d like to be considered,” Hoey said. “Just so you know. If you need the numbers made up.”
     “I’ll bear it in mind,” she said. “Thanks.”
     Flanagan turned, left him there, and headed for her office. She let herself in, closed the door behind her, leaned her back against it.
     Aside from Hoey’s crass stupidity, she thought, that wasn’t so bad. She’d been dreading the return for weeks. The looks of pity. The expressions of sympathy. They would come, that much was certain, but she felt that perhaps she could at least be gracious in response.
     Six weeks after her surgery, she had been in Tesco browsing loaves of bread. She had nudged her trolley against another shopper, turned to apologise, and recognised a work colleague of her husband’s. Heather Foyle, she was called, a maths teacher.
     Heather had stared at Flanagan, eyes and mouth agape, visibly struggling to find a few words.
     “For Christ’s sake, I didn’t die,” Flanagan said before wheeling her trolley to the checkouts, her face burning, regret already souring her stomach.
     She had called Heather later that evening to apologise, battled through the no-don’t-mention-its, tried to explain herself against the tide of condescension. Even then, when she knew she was entirely in the wrong, aware that Heather Foyle was simply being a good person, Flanagan had to stamp on her own anger. She had never experienced the pity of others until her breast cancer diagnosis, and it was more unpalatable than she had ever imagined.
     So far, only Hoey, his clumsy words and his expedient sympathy as he fished for opportunities. She could take that. There would be more to come, and she would smile and say, I’m fine, thank you, and ask after the enquirer’s well-being, and most definitely not shout at him or her to shut up, just leave her alone, let her get on with living.
     Flanagan’s office remained as dim as she remembered, sunlight muted by the tinted glass in a window so small it served little purpose. And hot, too. She crossed the room, opened the window to its full extent, which was no more than a couple of inches. For her own protection, her superiors would have said. This building looked like a small prison from the outside, and often felt like one within. Across the rooftops, she could just see the spires of Christ Church. Flanagan counted herself lucky; most of the views from this station were of walls and wire fences.
     She took off her jacket, slung it over the back of her chair, and sat down. The quiet of the room seemed to press on her, a physical sensation, as if the silence hardened the air.
     Three framed photographs sat on her desk, one portrait of each of her children, and another picture of the family. One of those terrible posed studio shots that she disliked, but Alistair had insisted. She’d turned the frames face down the last time she left the office. To keep the dust off them, she’d told herself, but part of her believed it was to shield her family from the goings on here.
     Flanagan set each of them upright and was startled by how young Ruth and Eli looked, how much they had changed, and she felt a strange sadness for the smaller children they’d left behind in these images.
     A sharp rap of knuckle on wood made her jump. She exhaled and said, “Come.”
     Detective Superintendent Stephen Purdy opened the door. A stocky bespectacled man with a shock of pure black hair that some speculated was a wig. Flanagan had inspected it as closely as she could and found no evidence to back up the claim, though
she suspected he dyed it.
     “It’s good to see you back,” he said. “How are you feeling?”
     “I’m fine, sir, thank you,” she said, hoping he wouldn’t ask her to elaborate.
     DSI Stephen Purdy was not an idiot like Hoey. He lacked emotional intelligence, found casual conversation difficult, but he was not stupid. He would know not to push her on her illness.
     “Good, good,” he said.
     She indicated the seat in front of her desk as she sat down.
     “No, I’m not stopping.” He hovered there, looking as comfortable as a mouse in a cattery.
     It was up to Flanagan to set him free. “What can I do for you?”
     “Ah, well, first of all I wanted to welcome you back.” He dipped his head and waved a hand in a bowing gesture. “And to get you started on some work.”
     Flanagan had noticed the file under Purdy’s arm when he first entered her office. He placed the manila folder on the desk and tapped it with his index finger.
     “This was sent over from B District. You know DCI Thompson’s retiring in a few weeks? He’s leaving a lot of unfinished business behind him. Between you and me, his MIT had become a bit of a shambles. These are the loose ends from the last few cases he’s left open. The ACC wants you to work through them, see what’s still worth following up, what’s better off dropped, that kind of thing. He thought it might keep you occupied while you get settled in again. I can let you have a few DCs if you need the help. There’s a new DS, Ballantine, she’s very capable. Now that Calvin’s abandoned us, she might make a good starting point for a team.”
     Detective Sergeant Calvin had been Flanagan’s assistant on her Major Investigation Team. He’d suffered a shoulder wound before she had taken leave for her surgery, and that had been enough for him. The Police Federation had helped him push for a medical pension, and then he was off.
     “I don’t imagine she’ll want to start off pushing paper around for you,” Purdy said, “but we all have to do it sometimes.”
     Flanagan felt a growing weight inside. A file full of busywork and drudgery, sweeping up someone else’s mess.
     Purdy saw the disappointment on her. “Come on,” he said. “You’ve been out of action for weeks. You can’t expect just to land back here and dive into a hot case. It’ll be a month or more until you’ve got a proper team established again. I can’t have you twiddling your thumbs for all that time.”
     She waved at the file. “I know, but this . . .”
     Purdy gave her his sternest look, usually reserved for the lower ranks. “It’s not exciting work, I know, but there are victims in those pages that still need someone to speak for them.”
     “Of course,” Flanagan said, feeling like an admonished child. “You’re right. I’ll get working.”
     Purdy nodded and said, “I’ll leave you to it.” He stopped at the door. “Oh, I meant to say. You heard about the Devine boy?”
     “That he’s due for release, yes.”
     “Wednesday,” Purdy said.
     “That soon?”
     “I’m not supposed to know that. They’re keeping it quiet to stop the press going after him. A call came in last week from the probation officer who’s been assigned to him. She wants a word with you. I told her to come by today, late morning. All right?”
     She remembered Ciaran Devine, a child then, a young man now. A little over seven years ago, the first awkward signs of puberty about him, sitting across the table from her in an interview room. She was the only one he talked to. He called her by her first name. Even when he confessed, she struggled to picture this small boy doing that terrible thing.
     She had voiced her doubts, but the boy had confessed, and that was enough.
     Ciaran had sent her a letter after his and his brother’s convictions.
It came via the station. She had blushed when she read it. It still lay at the back of a drawer in her bedroom at home, even though she should have destroyed it.
     “All right,” Flanagan said.
     “Good. Here’s hoping he stays out of trouble.”

About

Blood has always been thicker than water for two Northern Irish brothers caught in the Belfast foster system, but a debt of past violence will be paid by not just them, but also by those they left behind.

Ciaran Devine, who made Belfast headlines seven years ago as the “schoolboy killer,” is about to walk free. At the age of twelve, he confessed to the brutal murder of his foster father; his testimony mitigated the sentence of his older brother, Thomas, who was also found at the crime scene, covered in blood. But DCI Serena Flanagan, the only officer who could convince a young, frightened Ciaran to speak, has silently harbored doubts about his confession all this time.

Ciaran’s release means several things: a long-anticipated reunion with Thomas, who still wields a dangerous influence over his younger brother; the call-to-action of a man bent on revenge for his father’s death; and major trouble for Ciaran’s assigned probation officer. Meanwhile, Serena Flanagan has just returned to the force from her battle with breast cancer, only to endure the pitying looks of her coworkers and a mountain of open case files. She will soon discover that even closed cases can unleash terror on the streets of Belfast.

Praise

Praise for Those We Left Behind 

A New York Times Best Crime Novel of 2015
A Los Angeles Times Best Mystery Book of 2015
Boston Globe Best Book of 2015

An Irish Times Best Crime Novel of 2015
Milwaukee Journal Sentinel Best Book of 2015

"Neville's books are dark but elegantly written case studies of the roots of violence, and here he writes thoughtfully, about children who come from the streets, go through the foster programs and prison systems, and are either reborn or dragged back into the sorrows that are their inheritance."
—The New York Times Book Review 

"Those We Left Behind is a great, brawling ache of a novel. Filled with both prickling suspense and fiercely wrought emotion, it’s a tale of the burdens of family and the weight of the past. And at its center, holding it all together, is DCI Serena Flanagan, the bruised and compassionate hero for whom we’ve all been waiting."
—Megan Abbott, author of The Fever

“In the world of modern crime fiction, Stuart Neville is a supernova. I buy his books the day they’re released because I can’t wait to see where he takes me next. And I’m never disappointed.”
—Dennis Lehane

"How good does crime writing get? Read this latest from Stuart Neville. DCI Serena Flanagan is back. The setting is Belfast, the writing is superb, the characters unforgettable and the plot as slick as the latest headline."
—The Globe and Mail

"Primo noir."
—The Austin Chronicle

"Stuart Neville has been masterfully capturing the mean streets of Belfast in a series of thrillers, each arguably more powerful than the last. His latest, Those We Left Behind, in which he ups his game by about 10 notches, is a robust police procedural that also impressively plumbs his varied characters’ psychological vulnerabilities."
—The Boston Globe

"In Stuart Neville’s Belfast, the police are not icons of virtue, just less flawed than the criminals they are trying to help. Neville creates a sense of menace that jumps off the page, but with an underlying poetry that keeps you hoping innocence will prevail."
—Salem Macknee, Raleigh News & Observer

"The dread in this novel is palpable from the first pages until the heartbreaking final ones. It's Neville's best yet."
—Carol Barrowman, The Milwaukee Journal Sentinel

"Neville brings to the table his trademark powers of characterization and storytelling, sharply honed, in this tale of consequence and revenge."
—Bookreporter.com

"[A] searing, deeply affecting psychological thriller . . . Neville demonstrates once again that he’s a literary force to be reckoned with."
—Publishers Weekly, Starred Review

"Neville has the gift of making us care about the fate of each of his creations, whether they are convicted killers, cops, or innocent bystanders. Another winner, this is fast-paced and intriguing to the very end."
—Library Journal, Starred Review

"If crime connoisseurs take only one book to the beach this summer they should make sure it is Those We Left Behind by Stuart Neville, in which the absolute master of Belfast Noir delivers a sustained crescendo of creeping menace."
—Irish Independent

"His best novel since his debut, [The Ghosts of Belfast] . . . Flanagan is a compelling character, professionally capable and hard nosed but emotionally vulnerable in her private life, although it’s young Ciaran Devine who is the most haunting character."
—Declan Burke, The Irish Times

"[A] gripping tale of two brothers and one policewoman in Northern Ireland fighting to come to terms with peacefully living in a land still torn by the divisions of religious intolerance, and the deep scars it has left on its people."
—Herald Scotland, Pick of the Week


"A grim tale of dependence and obsession."
—Kirkus Reviews

"Psychologically astute."
—Booklist

"Deeply chilling but full of tenderness, this multi-stranded story is utterly compelling. The best book yet from a hugely talented writer."
—Sunday Mirror

"Stuart Neville is one of the most distinctive of the new crime writers from Ireland and Northern Ireland."
—The Life Sentence

"Chilling . . . Stays in the upper levels of intensity that drive the best of its genre."
The Longest Chapter

"Another triumph"
—Bookgasm


Praise for the Belfast Thrillers

“Neville’s novel is a coldly lucid assessment of the fragility of the Irish peace . . . A rare example of legitimate noir fiction.”
 —The New York Times Book Review

“Not only one of the finest thriller debuts of the last ten years, but also one of the best Irish novels, in any genre, of recent times.”
—John Connolly, New York Times bestselling author of The Wolf in Winter

“It’s a flat-out terror trip.”
—James Ellroy, New York Times bestselling author of Perfidia

“Never forgets the human heart that beats inside the bleakest darkness.”
—Val McDermid, author of The Skeleton Road

“Stuart Neville has a lock on dread . . . Full-bodied and credible.”
Pittsburgh Post-Gazette

Author

Stuart Neville, the “king of Belfast noir” (The Guardian), is the author of nine novels, for which he has won the  Los Angeles Times Book Prize and been shortlisted for the Edgar, Macavity, Dilys, Barry, and Anthony Awards as well as the CWA Steel Dagger. He lives near Belfast.

Excerpt

1

When Paula Cunningham heard the news about the boy’s release, she knew the case would fall to her. She had felt no surprise when Edward Hughes called her to his office. The file had been waiting for her on the boss’s desk, half an inch of reports, assessments and evaluations. It pulled a bitter curse from her throat.
      City centre traffic hummed and rattled beneath Hughes’s window, car horns sounding, someone whistling for a taxi. She turned the pages while Hughes chewed a pen at the other side of the desk.
     A single photograph of Ciaran Devine at the front, hollow eyes and blank face, a little boy long gone.
     They’d used the same picture in the Sunday red top she’d read at the weekend. Schoolboy Killer to Be Released, the headline had screamed above a half-page story.
     She knew as soon as she saw it. Just knew.
     “Any way out of this?” she asked.
     Hughes shook his head. “None at all. The young fella needs your experience.”
     “What about Terry Grimes?”
     “Terry’s tied up. It’s your case, and that’s all there is to it. You can handle him. He’s been good as gold on his temporary releases. Tom Wheatley at the hostel says he was no bother at all when he stayed over.”
     The boy would have had excursions accompanied by one of his case managers. Shopping trips, a meal at McDonald’s, a walk in the park. Finally, they would have allowed him a night in the hostel off the Saintfield Road, in the south of the city.
     She pictured him sitting in the small, clean room, perhaps counting coins in the palm of his hand, trying to grasp the simple acts other people took for granted. Going to a shop counter, asking for what he wanted, saying please and thank you.
     Cunningham remembered taking a lifer called Brian to a newsagent’s. He had mumbled, “Polo mints, please.” The shopkeeper had set the sweets on the counter. Brian, who had strangled his girlfriend to death after a drinking binge, had grabbed the packet, dropped a twenty-pound note in its place, and walked out of the shop.
     When she’d caught up with him, his change in her hand, Cunningham asked why.
     Brian had stood there on the pavement, blinking tears from his eyes, before he said, “Cause I don’t know what they cost.”
     Remove a man from the world for years then drop him back into it, expecting him to simply pick up where he left off. It doesn’t work. He’ll be lost. And Ciaran Devine would be no different.
     Cunningham had entered the Probation Service twelve years ago, not long after gaining her MSc in clinical psychology. As a postgraduate student, she had spent summers working on the wards of psychiatric units, then a year in Maghaberry prison, counselling inmates. She had learned things in those days that would stay with her until her last breath, like the terrible cost of casual violence, and how poorly the system dealt with those who inflicted it.
     In all those dozen years, Cunningham wasn’t sure if she’d ever done any good.
     She let the air out of her lungs, wished for a cigarette. “All right,” she said. “When’s the ADR?”
     “He gets out Wednesday. That gives you a week to prepare.”
     “Jesus, how am I supposed to prepare for this?”
     Hughes put his forearms on the desk. “In a thorough, diligent and professional manner.”
     Cunningham glanced at him over the open file. He probably thought he was giving her his serious face, but he looked more like a prissy matron. Edward Hughes was on the large side, yet he had a countenance more like that of a schoolboy than a man well into middle age.
     “What about the brother?” Cunningham asked.
     “Thomas? He’s kept out of trouble since his release. He’s not supervised anymore.”
     The newspaper had also carried a picture of Thomas Devine, smaller than that of Ciaran, tucked away on the second page. Older, leaner, darker. Handsome like his brother, but in a sharper, more jagged way.
     An image flashed in her mind: the boys escorted towards the side entrance of the courthouse, blankets over their heads, a uniformed policeman at each arm, followed by the detectives who got the confession, brilliant camera flashes, screams of hatred from the onlookers.
     No one knew the boys’ names then, the press ordered to keep quiet.
     “He didn’t go for a Mary Bell order?” Cunningham asked. A new identity, a lifetime of secrets, named after a little English girl who did two unspeakable things almost half a century before.
     “Thomas gave it a go,” Hughes said. “The judge threw it out. He didn’t reckon they were under sufficient threat.”
     The names had appeared in the papers more than a year and a half ago when Ciaran had turned eighteen. His minimum tariff of six years had expired, but he continued to be held at the Secretary of State’s Pleasure. The local Belfast journalists salivated over a potential release, stored up their bile and outrage. Politicians gave stiff-lipped opinions that amounted to nothing.
     “God help him,” Cunningham whispered.
     She hadn’t meant to say it out loud. She glanced up at Hughes, expecting a reproach.
     He said, “God help the both of you.”

2
Detective Chief Inspector Serena Flanagan punched in her key code and entered the station’s core. A walled compound containing a cluster of redbrick buildings, small windows, a fortress in the heart of Lisburn, built to shield its occupants from bullets and bombs. Flanagan avoided all stares, averted her eyes, as she made her way to the second floor and the office she hadn’t seen in four months. Whispers followed her through the corridors and stairwells.
     “Ma’am,” a voice called.
     Flanagan pretended she hadn’t heard it, kept walking, her door only a few yards away now.
     “Ma’am.”
     She stopped, gave a silent curse, and turned.
     Detective Inspector John Hoey, a coffee in one hand, a sheaf of papers in the other. Flanagan offered a smile, a nod.
     “Good to see you back,” he said as he approached. “How are you feeling?”
     “Not bad,” she said. “Looking forward to getting to work.”
     “I see your hair grew back.”
     Flanagan had turned to leave, but his words stopped her. “Excuse me?”
     “From your treatment.” He raised his coffee cup, pointing a finger at her head. His face dropped. “Oh. Is it a wig?”
     Flanagan took a breath. Gave him a patient smile. “I didn’t have chemotherapy,” she said. “Just radiotherapy. So I didn’t lose my hair.”
     “Oh,” he said. “Oh, good. I was wondering, will you be getting your team back together?”
     “Yes,” she said. “As soon as I get caught up, see who’s still available.”
     “I’d like to be considered,” Hoey said. “Just so you know. If you need the numbers made up.”
     “I’ll bear it in mind,” she said. “Thanks.”
     Flanagan turned, left him there, and headed for her office. She let herself in, closed the door behind her, leaned her back against it.
     Aside from Hoey’s crass stupidity, she thought, that wasn’t so bad. She’d been dreading the return for weeks. The looks of pity. The expressions of sympathy. They would come, that much was certain, but she felt that perhaps she could at least be gracious in response.
     Six weeks after her surgery, she had been in Tesco browsing loaves of bread. She had nudged her trolley against another shopper, turned to apologise, and recognised a work colleague of her husband’s. Heather Foyle, she was called, a maths teacher.
     Heather had stared at Flanagan, eyes and mouth agape, visibly struggling to find a few words.
     “For Christ’s sake, I didn’t die,” Flanagan said before wheeling her trolley to the checkouts, her face burning, regret already souring her stomach.
     She had called Heather later that evening to apologise, battled through the no-don’t-mention-its, tried to explain herself against the tide of condescension. Even then, when she knew she was entirely in the wrong, aware that Heather Foyle was simply being a good person, Flanagan had to stamp on her own anger. She had never experienced the pity of others until her breast cancer diagnosis, and it was more unpalatable than she had ever imagined.
     So far, only Hoey, his clumsy words and his expedient sympathy as he fished for opportunities. She could take that. There would be more to come, and she would smile and say, I’m fine, thank you, and ask after the enquirer’s well-being, and most definitely not shout at him or her to shut up, just leave her alone, let her get on with living.
     Flanagan’s office remained as dim as she remembered, sunlight muted by the tinted glass in a window so small it served little purpose. And hot, too. She crossed the room, opened the window to its full extent, which was no more than a couple of inches. For her own protection, her superiors would have said. This building looked like a small prison from the outside, and often felt like one within. Across the rooftops, she could just see the spires of Christ Church. Flanagan counted herself lucky; most of the views from this station were of walls and wire fences.
     She took off her jacket, slung it over the back of her chair, and sat down. The quiet of the room seemed to press on her, a physical sensation, as if the silence hardened the air.
     Three framed photographs sat on her desk, one portrait of each of her children, and another picture of the family. One of those terrible posed studio shots that she disliked, but Alistair had insisted. She’d turned the frames face down the last time she left the office. To keep the dust off them, she’d told herself, but part of her believed it was to shield her family from the goings on here.
     Flanagan set each of them upright and was startled by how young Ruth and Eli looked, how much they had changed, and she felt a strange sadness for the smaller children they’d left behind in these images.
     A sharp rap of knuckle on wood made her jump. She exhaled and said, “Come.”
     Detective Superintendent Stephen Purdy opened the door. A stocky bespectacled man with a shock of pure black hair that some speculated was a wig. Flanagan had inspected it as closely as she could and found no evidence to back up the claim, though
she suspected he dyed it.
     “It’s good to see you back,” he said. “How are you feeling?”
     “I’m fine, sir, thank you,” she said, hoping he wouldn’t ask her to elaborate.
     DSI Stephen Purdy was not an idiot like Hoey. He lacked emotional intelligence, found casual conversation difficult, but he was not stupid. He would know not to push her on her illness.
     “Good, good,” he said.
     She indicated the seat in front of her desk as she sat down.
     “No, I’m not stopping.” He hovered there, looking as comfortable as a mouse in a cattery.
     It was up to Flanagan to set him free. “What can I do for you?”
     “Ah, well, first of all I wanted to welcome you back.” He dipped his head and waved a hand in a bowing gesture. “And to get you started on some work.”
     Flanagan had noticed the file under Purdy’s arm when he first entered her office. He placed the manila folder on the desk and tapped it with his index finger.
     “This was sent over from B District. You know DCI Thompson’s retiring in a few weeks? He’s leaving a lot of unfinished business behind him. Between you and me, his MIT had become a bit of a shambles. These are the loose ends from the last few cases he’s left open. The ACC wants you to work through them, see what’s still worth following up, what’s better off dropped, that kind of thing. He thought it might keep you occupied while you get settled in again. I can let you have a few DCs if you need the help. There’s a new DS, Ballantine, she’s very capable. Now that Calvin’s abandoned us, she might make a good starting point for a team.”
     Detective Sergeant Calvin had been Flanagan’s assistant on her Major Investigation Team. He’d suffered a shoulder wound before she had taken leave for her surgery, and that had been enough for him. The Police Federation had helped him push for a medical pension, and then he was off.
     “I don’t imagine she’ll want to start off pushing paper around for you,” Purdy said, “but we all have to do it sometimes.”
     Flanagan felt a growing weight inside. A file full of busywork and drudgery, sweeping up someone else’s mess.
     Purdy saw the disappointment on her. “Come on,” he said. “You’ve been out of action for weeks. You can’t expect just to land back here and dive into a hot case. It’ll be a month or more until you’ve got a proper team established again. I can’t have you twiddling your thumbs for all that time.”
     She waved at the file. “I know, but this . . .”
     Purdy gave her his sternest look, usually reserved for the lower ranks. “It’s not exciting work, I know, but there are victims in those pages that still need someone to speak for them.”
     “Of course,” Flanagan said, feeling like an admonished child. “You’re right. I’ll get working.”
     Purdy nodded and said, “I’ll leave you to it.” He stopped at the door. “Oh, I meant to say. You heard about the Devine boy?”
     “That he’s due for release, yes.”
     “Wednesday,” Purdy said.
     “That soon?”
     “I’m not supposed to know that. They’re keeping it quiet to stop the press going after him. A call came in last week from the probation officer who’s been assigned to him. She wants a word with you. I told her to come by today, late morning. All right?”
     She remembered Ciaran Devine, a child then, a young man now. A little over seven years ago, the first awkward signs of puberty about him, sitting across the table from her in an interview room. She was the only one he talked to. He called her by her first name. Even when he confessed, she struggled to picture this small boy doing that terrible thing.
     She had voiced her doubts, but the boy had confessed, and that was enough.
     Ciaran had sent her a letter after his and his brother’s convictions.
It came via the station. She had blushed when she read it. It still lay at the back of a drawer in her bedroom at home, even though she should have destroyed it.
     “All right,” Flanagan said.
     “Good. Here’s hoping he stays out of trouble.”