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Free at Last!

Stories and Songs of Emancipation

Illustrated by Shane W. Evans
Paperback
$9.99 US
9.63"W x 11.31"H x 0.27"D   | 14 oz | 30 per carton
On sale Sep 12, 2006 | 64 Pages | 9780763631475
Age 9-12 years | Grades 4-7
Reading Level: Lexile AD910L
True stories and traditional songs shed light on a lesser known era in African-American history — the crucial decades between Emancipation and the start of the Civil Rights movement.

In the dark of night, a mother risks her life to search for her four children, stolen by her former master. A wife refuses to hand her husband over to an angry white-hooded mob, despite the wailing of her babies — and the foot stomping on her pregnant belly. A woman calmly takes her seat in a first-class coach and is ordered to leave: "I’m a lady. All ladies sit here," argues journalist Ida B. Wells before she is carried from the car, seat and all.

These are some of the vignettes presented in Free at Last!, interwoven with spirituals, work songs, blues lyrics, poems, and a compelling narrative recounting the experience of black Americans in the South from the Emancipation Proclamation in 1863 through the dawn of the Civil Rights era in 1954. Drawing from true accounts, Doreen Rappaport writes of hopes for equality dashed by new "legal" injustices, and of a climate of fear and uncertainty fueled by intimidation, lynchings, and the rise of the Ku Klux Klan. But she tells also of the courageous struggle to re-create family and community life, achieve economic independence, explore creative expression, and eventually mount a successful legal challenge against segregation. Masterfully matched by Shane W. Evans’s bold, emotion-filled paintings, this is an invaluable resource for teachers, parents, librarians, students, and everyone else who values what it means to be truly free. Back matter includes a list of important dates, an artist’s note, sources, resources for further information, and an index.

An International Reading Association Teachers' Choice
A Cooperative Children's Book Center Choice
A Chicago Public Library Best Book
  • SELECTION
    IRA Teachers' Choices
Rappaport and Evans reprise the passion and power that informed their 2002 collaboration, shining their spotlight on the progess and struggles of African Americans from 1863 to 1954. Vigorous prose is punctuated by poems, songs, and excerpts from primary sources, all of which illuminate the peculiar experiences of a people freed and still not free.
Kirkus Reviews (starred review)
  
THE STORY OF HARRIET POSTLE

Harriet Postle shifts her weight from side to side in bed. It is hard finding a comfortable sleeping position when you are seven months pregnant. She reaches over to touch her

husband, when she hears a thundering noise outside.

"Postle, we know you’re in there! You’d better come out!"

Harriet knows who is yelling — the Ku Klux Klan men wearing masks, tall pointed caps, and long white robes.

Her oldest son wakes and ducks under the mattress. The baby wakes and starts to fuss. Her husband darts out of bed, loosens three floorboards, and jumps into the hiding place they prepared months ago. She replaces the planks. She steps into her skirt to cover her nightshirt, but she is so flustered she gets entangled in the material.

"Postle! Open up this door! You can’t hide from us!"

Harriet scoops up the baby and plops down in a chair over the hiding place. She puts her hands over the baby’s ears, trying to block out the furious banging.

The door crashes in. Four men in dusty boots point pistols at the mattress, under which her son cowers.

"Leave my boy alone!" she shouts.

One man jerks her chair out from under her.

She falls to the floor, hugging her baby. The man stomps his foot on her huge stomach. "Where is your husband?"

"He’s not here!"

He drops a rope shaped like a noose over her neck. "Tell me where he is." Her son is screaming and sobbing at the same time. The baby wails. The man presses harder on her stomach. "Where is he?"

She does not answer. She will not betray her husband.

It seems like a miracle but the men finally leave. Her husband comes out of hiding. She cradles her children in her arms, but she cannot stop their crying.

About

True stories and traditional songs shed light on a lesser known era in African-American history — the crucial decades between Emancipation and the start of the Civil Rights movement.

In the dark of night, a mother risks her life to search for her four children, stolen by her former master. A wife refuses to hand her husband over to an angry white-hooded mob, despite the wailing of her babies — and the foot stomping on her pregnant belly. A woman calmly takes her seat in a first-class coach and is ordered to leave: "I’m a lady. All ladies sit here," argues journalist Ida B. Wells before she is carried from the car, seat and all.

These are some of the vignettes presented in Free at Last!, interwoven with spirituals, work songs, blues lyrics, poems, and a compelling narrative recounting the experience of black Americans in the South from the Emancipation Proclamation in 1863 through the dawn of the Civil Rights era in 1954. Drawing from true accounts, Doreen Rappaport writes of hopes for equality dashed by new "legal" injustices, and of a climate of fear and uncertainty fueled by intimidation, lynchings, and the rise of the Ku Klux Klan. But she tells also of the courageous struggle to re-create family and community life, achieve economic independence, explore creative expression, and eventually mount a successful legal challenge against segregation. Masterfully matched by Shane W. Evans’s bold, emotion-filled paintings, this is an invaluable resource for teachers, parents, librarians, students, and everyone else who values what it means to be truly free. Back matter includes a list of important dates, an artist’s note, sources, resources for further information, and an index.

An International Reading Association Teachers' Choice
A Cooperative Children's Book Center Choice
A Chicago Public Library Best Book

Awards

  • SELECTION
    IRA Teachers' Choices

Praise

Rappaport and Evans reprise the passion and power that informed their 2002 collaboration, shining their spotlight on the progess and struggles of African Americans from 1863 to 1954. Vigorous prose is punctuated by poems, songs, and excerpts from primary sources, all of which illuminate the peculiar experiences of a people freed and still not free.
Kirkus Reviews (starred review)

Author

  

Excerpt

THE STORY OF HARRIET POSTLE

Harriet Postle shifts her weight from side to side in bed. It is hard finding a comfortable sleeping position when you are seven months pregnant. She reaches over to touch her

husband, when she hears a thundering noise outside.

"Postle, we know you’re in there! You’d better come out!"

Harriet knows who is yelling — the Ku Klux Klan men wearing masks, tall pointed caps, and long white robes.

Her oldest son wakes and ducks under the mattress. The baby wakes and starts to fuss. Her husband darts out of bed, loosens three floorboards, and jumps into the hiding place they prepared months ago. She replaces the planks. She steps into her skirt to cover her nightshirt, but she is so flustered she gets entangled in the material.

"Postle! Open up this door! You can’t hide from us!"

Harriet scoops up the baby and plops down in a chair over the hiding place. She puts her hands over the baby’s ears, trying to block out the furious banging.

The door crashes in. Four men in dusty boots point pistols at the mattress, under which her son cowers.

"Leave my boy alone!" she shouts.

One man jerks her chair out from under her.

She falls to the floor, hugging her baby. The man stomps his foot on her huge stomach. "Where is your husband?"

"He’s not here!"

He drops a rope shaped like a noose over her neck. "Tell me where he is." Her son is screaming and sobbing at the same time. The baby wails. The man presses harder on her stomach. "Where is he?"

She does not answer. She will not betray her husband.

It seems like a miracle but the men finally leave. Her husband comes out of hiding. She cradles her children in her arms, but she cannot stop their crying.