Close Modal

Snopes

A Trilogy

Introduction by George Garrett
Look inside
Hardcover
$30.00 US
5.87"W x 8.3"H x 2.06"D   | 39 oz | 12 per carton
On sale Mar 15, 1994 | 1072 Pages | 9780679600923

From the Modern Library’s new set of beautifully repackaged hardcover classics by William Faulkner—also available are As I Lay Dying, The Sound and the Fury, Light in August, Absalom, Absalom!, and Selected Short Stories

Here, published in a single volume as he always hoped they would be, are the three novels that comprise William Faulkner’s famous Snopes trilogy, a saga that stands as perhaps the greatest feat of this celebrated author’s incomparable imagination. The Hamlet, the first book of the series chronicling the advent and rise of the grasping Snopes family in mythical Yoknapatawpha County, is a work that Cleanth Brooks called “one of the richest novels in the Faulkner canon.” It recounts how the wily, cunning Flem Snopes dominates the rural community of Frenchman’s Bend—and claims the voluptuous Eula Varner as his bride. The Town, the central novel, records Flem’s ruthless struggle to take over the county seat of Jefferson, Mississippi. Finally, The Mansion tells of Mink Snopes, whose archaic sense of honor brings about the downfall of his cousin Flem. “For all his concerns with the South, Faulkner was actually seeking out the nature of man,” noted Ralph Ellison. “Thus we must turn to him for that continuity of moral purpose which made for the greatness of our classics.”

William Faulkner, one of the greatest writers of the twentieth century, was born in New Albany, Mississippi, on September 25, 1897. He published his first book, The Marble Faun, in 1924, but it is as a literary chronicler of life in the Deep South—particularly in the fictional Yoknapatawpha County, the setting for several of his novels—that he is most highly regarded. In such novels as The Sound and the FuryAs I Lay DyingLight in August, and Absalom, Absalom! he explored the full range of post–Civil War Southern life, focusing both on the personal histories of his characters and on the moral uncertainties of an increasingly dissolute society. In combining the use of symbolism with a stream-of-consciousness technique, he created a new approach to fiction writing. In 1949 he was awarded the Nobel Prize for Literature. William Faulkner died in Byhalia, Mississippi, on July 6, 1962. View titles by William Faulkner
BOOK ONE
FLEM
 
CHAPTER ONE
 
Frenchman’s Bend was a section of rich river-bottom country lying twenty miles southeast of Jefferson. Hill-cradled and remote, definite yet without boundaries, straddling into two counties and owning allegiance to neither, it had been the original grant and site of a tremendous pre-Civil War plantation, the ruins of which—the gutted shell of an enormous house with its fallen stables and slave quarters and overgrown gardens and brick terraces and promenades—were still known as the Old Frenchman’s place, although the original boundaries now existed only on old faded records in the Chancery Clerk’s office in the county courthouse in Jefferson, and even some of the once-fertile fields had long since reverted to the cane-and-cypress jungle from which their first master had hewed them.
 
He had quite possibly been a foreigner, though not necessarily French, since to the people who had come after him and had almost obliterated all trace of his sojourn, anyone speaking the tongue with a foreign flavor or whose appearance or even occupation was strange, would have been a Frenchman regardless of what nationality he might affirm, just as to their more urban coevals (if he had elected to settle in Jefferson itself, say) he would have been called a Dutchman. But now nobody knew what he had actually been, not even Will Varner, who was sixty years old and now owned a good deal of his original grant, including the site of his ruined mansion. Because he was gone now, the foreigner, the Frenchman, with his family and his slaves and his magnificence. His dream, his broad acres were parcelled out now into small shiftless mortgaged farms for the directors of Jefferson banks to squabble over before selling finally to Will Varner, and all that remained of him was the river bed which his slaves had straightened for almost ten miles to keep his land from flooding and the skeleton of the tremendous house which his heirs-at-large had been pulling down and chopping up—walnut newel posts and stair spindles, oak floors which fifty years later would have been almost priceless, the very clapboards themselves—for thirty years now for firewood. Even his name was forgotten, his pride but a legend about the land he had wrested from the jungle and tamed as a monument to that appellation which those who came after him in battered wagons and on muleback and even on foot, with flintlock rifles and dogs and children and home-made whiskey stills and Protestant psalm-books, could not even read, let alone pronounce, and which now had nothing to do with any once-living man at all—his dream and his pride now dust with the lost dust of his anonymous bones, his legend but the stubborn tale of the money he buried somewhere about the place when Grant overran the country on his way to Vicksburg.
 
The people who inherited from him came from the northeast, through the Tennessee mountains by stages marked by the bearing and raising of a generation of children. They came from the Atlantic seaboard and before that, from England and the Scottish and Welsh Marches, as some of the names would indicate—Turpin and Haley and Whittington, McCallum and Murray and Leonard and Little-john, and other names like Riddup and Armstid and Doshey which could have come from nowhere since certainly no man would deliberately select one of them for his own. They brought no slaves and no Phyfe and Chippendale highboys; indeed, what they did bring most of them could (and did) carry in their hands. They took up land and built one- and two-room cabins and never painted them, and married one another and produced children and added other rooms one by one to the original cabins and did not paint them either, but that was all. Their descendants still planted cotton in the bottom land and corn along the edge of the hills and in the secret coves in the hills made whiskey of the corn and sold what they did not drink. Federal officers went into the country and vanished. Some garment which the missing man had worn might be seen—a felt hat, a broadcloth coat, a pair of city shoes or even his pistol—on a child or an old man or woman. County officers did not bother them at all save in the heel of election years. They supported their own churches and schools, they married and committed infrequent adulteries and more frequent homicides among themselves and were their own courts judges and executioners. They were Protestants and Democrats and prolific; there was not one Negro landowner in the entire section. Strange Negroes would absolutely refuse to pass through it after dark.
 
Will Varner, the present owner of the Old Frenchman place, was the chief man of the country. He was the largest landholder and beat supervisor in one county and Justice of the Peace in the next and election commissioner in both, and hence the fountainhead if not of law at least of advice and suggestion to a countryside which would have repudiated the term constituency if they had ever heard it, which came to him, not in the attitude of What must I do but What do you think you think you would like for me to do if you was able to make me do it. He was a farmer, a usurer, a veterinarian; Judge Benbow of Jefferson once said of him that a milder-mannered man never bled a mule or stuffed a ballot box. He owned most of the good land in the country and held mortgages on most of the rest. He owned the store and the cotton gin and the combined grist mill and blacksmith shop in the village proper and it was considered, to put it mildly, bad luck for a man of the neighborhood to do his trading or gin his cotton or grind his meal or shoe his stock anywhere else. He was thin as a fence rail and almost as long, with reddish-gray hair and moustaches and little hard bright innocently blue eyes; he looked like a Methodist Sunday School superintendent who on week days conducted a railroad passenger train or vice versa and who owned the church or perhaps the railroad or perhaps both. He was shrewd secret and merry, of a Rabelaisian turn of mind and very probably still sexually lusty (he had fathered sixteen children to his wife, though only two of them remained at home, the others scattered, married and buried, from El Paso to the Alabama line) as the spring of his hair which even at sixty was still more red than gray, would indicate. He was at once active and lazy; he did nothing at all (his son managed all the family business) and spent all his time at it, out of the house and gone before the son had come down to breakfast even, nobody knew where save that he and the old fat white horse which he rode might be seen anywhere within the surrounding ten miles at any time, and at least once every month during the spring and summer and early fall, the old white horse tethered to an adjacent fence post, he would be seen by someone sitting in a home-made chair on the jungle-choked lawn of the Old Frenchman’s homesite. His blacksmith had made the chair for him by sawing an empty flour barrel half through the middle and trimming out the sides and nailing a seat into it and Varner would sit there chewing his tobacco or smoking his cob pipe, with a brusque word for passers cheerful enough but inviting no company, against his background of fallen baronial splendor. The people (those who saw him sitting there and those who were told about it) all believed that he sat there planning his next mortgage foreclosure in private, since it was only to an itinerant sewing-machine agent named Ratliff—a man less than half his age—that he ever gave a reason: “I like to sit here. I’m trying to find out what it must have felt like to be the fool that would need all this”—he did not move, he did not so much as indicate with his head the rise of old brick and tangled walks topped by the columned ruin behind him—“just to eat and sleep in.” Then he said—and he gave Ratliff no further clue to which might have been the truth—“For a while it looked like I was going to get shut of it, get it cleared up. But by God folks have got so lazy they wont even climb a ladder to pull off the rest of the boards It looks like they will go into the woods and even chop up a tree before they will reach above eyelevel for a scantling of pine kindling. But after all, I reckon I’ll just keep what there is left of it, just to remind me of my one mistake. This is the only thing I ever bought in my life I couldn’t sell to nobody.”
 

About

From the Modern Library’s new set of beautifully repackaged hardcover classics by William Faulkner—also available are As I Lay Dying, The Sound and the Fury, Light in August, Absalom, Absalom!, and Selected Short Stories

Here, published in a single volume as he always hoped they would be, are the three novels that comprise William Faulkner’s famous Snopes trilogy, a saga that stands as perhaps the greatest feat of this celebrated author’s incomparable imagination. The Hamlet, the first book of the series chronicling the advent and rise of the grasping Snopes family in mythical Yoknapatawpha County, is a work that Cleanth Brooks called “one of the richest novels in the Faulkner canon.” It recounts how the wily, cunning Flem Snopes dominates the rural community of Frenchman’s Bend—and claims the voluptuous Eula Varner as his bride. The Town, the central novel, records Flem’s ruthless struggle to take over the county seat of Jefferson, Mississippi. Finally, The Mansion tells of Mink Snopes, whose archaic sense of honor brings about the downfall of his cousin Flem. “For all his concerns with the South, Faulkner was actually seeking out the nature of man,” noted Ralph Ellison. “Thus we must turn to him for that continuity of moral purpose which made for the greatness of our classics.”

Author

William Faulkner, one of the greatest writers of the twentieth century, was born in New Albany, Mississippi, on September 25, 1897. He published his first book, The Marble Faun, in 1924, but it is as a literary chronicler of life in the Deep South—particularly in the fictional Yoknapatawpha County, the setting for several of his novels—that he is most highly regarded. In such novels as The Sound and the FuryAs I Lay DyingLight in August, and Absalom, Absalom! he explored the full range of post–Civil War Southern life, focusing both on the personal histories of his characters and on the moral uncertainties of an increasingly dissolute society. In combining the use of symbolism with a stream-of-consciousness technique, he created a new approach to fiction writing. In 1949 he was awarded the Nobel Prize for Literature. William Faulkner died in Byhalia, Mississippi, on July 6, 1962. View titles by William Faulkner

Excerpt

BOOK ONE
FLEM
 
CHAPTER ONE
 
Frenchman’s Bend was a section of rich river-bottom country lying twenty miles southeast of Jefferson. Hill-cradled and remote, definite yet without boundaries, straddling into two counties and owning allegiance to neither, it had been the original grant and site of a tremendous pre-Civil War plantation, the ruins of which—the gutted shell of an enormous house with its fallen stables and slave quarters and overgrown gardens and brick terraces and promenades—were still known as the Old Frenchman’s place, although the original boundaries now existed only on old faded records in the Chancery Clerk’s office in the county courthouse in Jefferson, and even some of the once-fertile fields had long since reverted to the cane-and-cypress jungle from which their first master had hewed them.
 
He had quite possibly been a foreigner, though not necessarily French, since to the people who had come after him and had almost obliterated all trace of his sojourn, anyone speaking the tongue with a foreign flavor or whose appearance or even occupation was strange, would have been a Frenchman regardless of what nationality he might affirm, just as to their more urban coevals (if he had elected to settle in Jefferson itself, say) he would have been called a Dutchman. But now nobody knew what he had actually been, not even Will Varner, who was sixty years old and now owned a good deal of his original grant, including the site of his ruined mansion. Because he was gone now, the foreigner, the Frenchman, with his family and his slaves and his magnificence. His dream, his broad acres were parcelled out now into small shiftless mortgaged farms for the directors of Jefferson banks to squabble over before selling finally to Will Varner, and all that remained of him was the river bed which his slaves had straightened for almost ten miles to keep his land from flooding and the skeleton of the tremendous house which his heirs-at-large had been pulling down and chopping up—walnut newel posts and stair spindles, oak floors which fifty years later would have been almost priceless, the very clapboards themselves—for thirty years now for firewood. Even his name was forgotten, his pride but a legend about the land he had wrested from the jungle and tamed as a monument to that appellation which those who came after him in battered wagons and on muleback and even on foot, with flintlock rifles and dogs and children and home-made whiskey stills and Protestant psalm-books, could not even read, let alone pronounce, and which now had nothing to do with any once-living man at all—his dream and his pride now dust with the lost dust of his anonymous bones, his legend but the stubborn tale of the money he buried somewhere about the place when Grant overran the country on his way to Vicksburg.
 
The people who inherited from him came from the northeast, through the Tennessee mountains by stages marked by the bearing and raising of a generation of children. They came from the Atlantic seaboard and before that, from England and the Scottish and Welsh Marches, as some of the names would indicate—Turpin and Haley and Whittington, McCallum and Murray and Leonard and Little-john, and other names like Riddup and Armstid and Doshey which could have come from nowhere since certainly no man would deliberately select one of them for his own. They brought no slaves and no Phyfe and Chippendale highboys; indeed, what they did bring most of them could (and did) carry in their hands. They took up land and built one- and two-room cabins and never painted them, and married one another and produced children and added other rooms one by one to the original cabins and did not paint them either, but that was all. Their descendants still planted cotton in the bottom land and corn along the edge of the hills and in the secret coves in the hills made whiskey of the corn and sold what they did not drink. Federal officers went into the country and vanished. Some garment which the missing man had worn might be seen—a felt hat, a broadcloth coat, a pair of city shoes or even his pistol—on a child or an old man or woman. County officers did not bother them at all save in the heel of election years. They supported their own churches and schools, they married and committed infrequent adulteries and more frequent homicides among themselves and were their own courts judges and executioners. They were Protestants and Democrats and prolific; there was not one Negro landowner in the entire section. Strange Negroes would absolutely refuse to pass through it after dark.
 
Will Varner, the present owner of the Old Frenchman place, was the chief man of the country. He was the largest landholder and beat supervisor in one county and Justice of the Peace in the next and election commissioner in both, and hence the fountainhead if not of law at least of advice and suggestion to a countryside which would have repudiated the term constituency if they had ever heard it, which came to him, not in the attitude of What must I do but What do you think you think you would like for me to do if you was able to make me do it. He was a farmer, a usurer, a veterinarian; Judge Benbow of Jefferson once said of him that a milder-mannered man never bled a mule or stuffed a ballot box. He owned most of the good land in the country and held mortgages on most of the rest. He owned the store and the cotton gin and the combined grist mill and blacksmith shop in the village proper and it was considered, to put it mildly, bad luck for a man of the neighborhood to do his trading or gin his cotton or grind his meal or shoe his stock anywhere else. He was thin as a fence rail and almost as long, with reddish-gray hair and moustaches and little hard bright innocently blue eyes; he looked like a Methodist Sunday School superintendent who on week days conducted a railroad passenger train or vice versa and who owned the church or perhaps the railroad or perhaps both. He was shrewd secret and merry, of a Rabelaisian turn of mind and very probably still sexually lusty (he had fathered sixteen children to his wife, though only two of them remained at home, the others scattered, married and buried, from El Paso to the Alabama line) as the spring of his hair which even at sixty was still more red than gray, would indicate. He was at once active and lazy; he did nothing at all (his son managed all the family business) and spent all his time at it, out of the house and gone before the son had come down to breakfast even, nobody knew where save that he and the old fat white horse which he rode might be seen anywhere within the surrounding ten miles at any time, and at least once every month during the spring and summer and early fall, the old white horse tethered to an adjacent fence post, he would be seen by someone sitting in a home-made chair on the jungle-choked lawn of the Old Frenchman’s homesite. His blacksmith had made the chair for him by sawing an empty flour barrel half through the middle and trimming out the sides and nailing a seat into it and Varner would sit there chewing his tobacco or smoking his cob pipe, with a brusque word for passers cheerful enough but inviting no company, against his background of fallen baronial splendor. The people (those who saw him sitting there and those who were told about it) all believed that he sat there planning his next mortgage foreclosure in private, since it was only to an itinerant sewing-machine agent named Ratliff—a man less than half his age—that he ever gave a reason: “I like to sit here. I’m trying to find out what it must have felt like to be the fool that would need all this”—he did not move, he did not so much as indicate with his head the rise of old brick and tangled walks topped by the columned ruin behind him—“just to eat and sleep in.” Then he said—and he gave Ratliff no further clue to which might have been the truth—“For a while it looked like I was going to get shut of it, get it cleared up. But by God folks have got so lazy they wont even climb a ladder to pull off the rest of the boards It looks like they will go into the woods and even chop up a tree before they will reach above eyelevel for a scantling of pine kindling. But after all, I reckon I’ll just keep what there is left of it, just to remind me of my one mistake. This is the only thing I ever bought in my life I couldn’t sell to nobody.”