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The Most Beautiful Girl in Cuba

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$18.00 US
5.36"W x 7.95"H x 1.01"D   | 12 oz | 24 per carton
On sale May 04, 2021 | 384 Pages | 9780593197813
Named one of 2021’s Most Anticipated Historical Novels and Best Beach Reads by Entertainment WeeklyOprah MagazineTravel + Leisure ∙ BuzzFeed ∙ Parade PopSugarBustle ∙ SheReads ∙ Brit + Co and more!

“An exciting and inspiring read that shows us how womanhood, courage and revolution are three words that often mean the same thing.”―NPR

At the end of the nineteenth century, three revolutionary women fight for freedom in New York Times bestselling author Chanel Cleeton's captivating new novel inspired by real-life events and the true story of a legendary Cuban woman—Evangelina Cisneros—who changed the course of history.


A feud rages in Gilded Age New York City between newspaper tycoons William Randolph Hearst and Joseph Pulitzer. When Grace Harrington lands a job at Hearst's newspaper in 1896, she’s caught in a cutthroat world where one scoop can make or break your career, but it’s a story emerging from Cuba that changes her life.

Unjustly imprisoned in a notorious Havana women's jail, eighteen-year-old Evangelina Cisneros dreams of a Cuba free from Spanish oppression. When Hearst learns of her plight and splashes her image on the front page of his paper, proclaiming her, "The Most Beautiful Girl in Cuba," she becomes a rallying cry for American intervention in the battle for Cuban independence.  

With the help of Marina Perez, a courier secretly working for the Cuban revolutionaries in Havana, Grace and Hearst's staff attempt to free Evangelina. But when Cuban civilians are forced into reconcentration camps and the explosion of the USS Maine propels the United States and Spain toward war, the three women must risk everything in their fight for freedom.
"In this powerful, page-turner, Chanel Cleeton has interwoven the stories of three unforgettable historical women against the fiery backdrop of the Spanish-American war and the Cuban fight for freedom from the Spanish. Using the brave acts of real-life historical women as inspiration, The Most Beautiful Girl in Cuba shines the light on the fierce women who played a critical role in this important juncture in time -- women who are determined not to be forgotten."
Marie Benedict, New York Times bestselling author of The Mystery of Mrs. Christi
 
 “Cleeton always delivers! This time, with The Most Beautiful Girl in Cuba, a well-researched tale set against the backdrop of a newspaper war. With moguls determined to drag the United States into the conflict between Cuba and Spain, this novel's women--the reporter, the revolutionary, and the beauty--are all brought vividly to life in a lovingly rendered novel about the triumphs and tragedies of war.”
Stephanie Dray, New York Times bestselling author of The Women of Chateau Layfayette
 
“Grace Harrington is my new favourite heroine. I was absolutely fascinated by the world of stunt girl reporters and newspaper wars that she throws herself into, just as I was equal parts enthralled and heartbroken by the story of Evangelina Cisneros, the most beautiful – and courageous – girl in Cuba. And how wonderful to meet another member of the Perez family – the plucky Marina, whose story intertwines with the other women's. Nobody writes about Cuban women – their lives, their loves and their bravery – like Chanel Cleeton does. A truly beautiful book.”
Natasha Lester, New York Times bestselling author of The Paris Secret

“Historical fiction fans will love this novel and its perfectly detailed descriptions of a long-gone era. This is another slam-dunk from Cleeton.” 
Library Journal (starred review)

“An enchanting historical novel…. Cleeton skillfully brings off the three strong women’s heartbreaking stories with intriguing twists and turns and a delightful finale. With impeccable research and perfect pacing, Cleeton makes the most of her subject.”
Publishers Weekly

“With a splash of romance and a healthy helping of history, this novel will be a hit for all collections.”
Booklist

"A truly fascinating novel, layered with drama and danger in which Cleeton shines a light on Cuba's battle for independence through the voices of three dynamic women. As always, Cleeton writes with a passion for her subject that is evident on every page. The depth of her research, and the authenticity of her characters, ensures a wonderfully immersive and compulsive read."
Hazel Gaynor, New York Times bestselling author of When We Were Young and Brave

"Chanel Cleeton uncovers a fascinating bit of little-known history about the Spanish-American War and delivers the real-life story of Evangelina Cisneros in glorious, page-turning detail. The events of her life stoked the circulation wars between Pulitzer and Hearst and highlighted the power of the press. Filled with rich historical facts and strong-minded female characters, you'll want to keep Google open to learn even more about Cuba’s struggle for independence. The Most Beautiful Girl in Cuba is Cleeton’s best book yet!”
Renee Rosen, National bestselling author Park Avenue Summer

"Entertaining, educational, and deeply moving, The Most Beautiful Girl in Cuba is an unputdownable read—I couldn't get enough of the admirable women characters, the history, and the prevailance of romance and hope."
Evie Dunmore, National bestselling author of A Rogue of One’s Own
 
“Chanel Cleeton’s latest page-turner braids together ambitious Gilded Age threads—the seamy world of yellow journalism, the drama of the Spanish-American War, and the meddling role of Society in the lives of women—with the lives of three memorable heroines whose intersecting paths to love and independence will keep you up late into the night.”
Kerri Maher, Author of The Girl in White Gloves
 
“Once again, Chanel Cleeton brings Cuban history to vivid life in her captivating new novel, The Most Beautiful Girl in Cuba. Skillfully intertwining the lives of three women whose lives are irrevocably shaped by the Cuban War of Independence, Cleeton’s page-turning novel showcases the many ways that war can be waged - even by those who never lift a gun.”
Bryn Turnbull, Author of The Woman Before Wallis

“Chanel's Cleeton new novel, The Most Beautiful Girl in Cuba, is a stunning achievement, her best so far, and that's saying a lot.”
Jeanne Mackin, Author of The Last Collection

“Cleeton’s writing is crisp and she frees Cisneros’ character to purely translate her deepest emotions to the reader. This is an excellent work of historical fiction giving an excellent portrait of daily life and political turmoil in 1890s Cuba.”
Currents Magazine

More Praise for the novels of Chanel Cleeton

"A thrilling story about love, loss, and what we will do to go home again. Utterly unputdownable.
PopSugar

"A remarkable writer"
The Washington Post

“You won't be able to put this one down.”
Cosmopolitan

“With rich historical detail, incisive dialogue and a firebrand heroine, Cleeton paints a vivid portrait of a woman caught in the currents of a turbulent time yet determined to make her own way.”
Shelf Awareness

“An exhilarating read with a fearless heroine.”
Woman’s World

“Has sex, drama, suspense…and pairs perfectly with a mojito.”
People

"A beautiful novel that's full of forbidden passions, family secrets and a lot of courage and sacrifice.
Reese Witherspoon

“A sweeping love story and tale of courage and familial and patriotic legacy that spans generations.
Entertainment Weekly

“This Cuban-set historical novel is just what you need to get that ~extra-summery~ feeling."
Bustle

“The Ultimate Beach Read”
Real Simple
 
Next Year in Havana reminds us that while love is complicated and occasionally heartbreaking, it's always worth the risk.”
NPR

“Cleeton is skilled at immersing readers into the culture and the period of her stories while creating vibrant characters, especially women, in a fast-paced, thoroughly engaging read.”
—Denny S. Bryce, Author of Wild Women and the Blues
© Chris Malpass
Chanel Cleeton is the New York Times and USA Today bestselling author of The Cuban Heiress, Our Last Days in Barcelona, The Most Beautiful Girl in Cuba, The Last Train to Key West, When We Left Cuba, and Reese’s Book Club pick Next Year in Havana. She received a bachelor’s degree in International Relations from Richmond, The American International University in London and a master's degree in Global Politics from the London School of Economics & Political Science. Chanel also received her Juris Doctor from the University of South Carolina School of Law. She loves to travel and has lived in the Caribbean, Europe, and Asia. View titles by Chanel Cleeton

One

GRACE

"I think you'll find, Mr. Pulitzer, that as a woman, I'm able to infiltrate parts of society your other reporters can't access. Why, look what Nellie Bly has done in her reporting . . ."

I clutch a leather folio to my chest, the little speech I've prepared running through my mind once more. As I lean down to right my skirts, I stumble on an uneven piece of wet ground, my shoe slipping, the hem of my dress dropping into nearly an inch of dirty water.

So much for making a good first impression.

"Bad luck," a red-haired newsboy shouts out at me, a mischievous grin on his face and the latest edition of the World in his hands.

It's busy today on Park Row, the street that slashes northeast from lower Broadway and houses the major New York newspapers, its proximity to City Hall an attractive proposition for journalists keen to keep up with the inner workings of government. Horse-drawn vehicles form a steady stream of traffic, interspersed by the odd bicycle swerving between them.

I gaze up at the building that houses the New York World, number 99 Park Row, the endless stories piled on top of one another. The tallest building in the city, it was originally the site of French's Hotel. Legend has it that back when Joseph Pulitzer was a penniless veteran he was thrown out of the hotel. Twenty years later he returned, his fortune made, and bought the hotel, demolished it, and constructed this building, topping the new edifice with a four hundred and twenty-five ton gold dome. Two miles of wrought iron columns support the world's largest pressroom, and hopefully, if all goes well--my new place of employment.

"Why, look what Nellie Bly has been able to do," I continue.

I've rehearsed my opening salvo so frequently the words have become rote, but it's done little to calm the nerves inside me. Whereas men go into these interviews needing to be good, I must be better. The crack Miss Bly and others like her have opened for women trying to break into the newspaper industry has made the seemingly impossible possible, but still no easy feat by any measure.

The various articles I've written for smaller papers enclosed in my late father's leather folio represent the last few years of my life. The topics aren't as varied as I'd like: plenty of pieces on women's fashion, some on the care and running of a household from which I borrowed heavily from my mother's example given my lack of a household of my own, the stray piece of relationship advice, which may seem odd from someone who is decidedly--and happily--single. To my readers, my nom de plume A. Markham is a married woman of a respectable age, her children grown, her days spent puttering around her house and dispensing advice when she is not otherwise occupied with her husband's comfort.

I check in with building security, the appointment I made last week the only manner in which I could ensure admittance given the tightly controlled access to Pulitzer's offices. I hurry up to the eighteenth floor, which houses the newsroom.

All of my previous articles for the various small newspapers that have seen A. Markham's advice as fit to print have been sent by post, and so for the first time in my life, I set foot in a newsroom.

I am immediately, irrevocably, in love.

The newsroom feels like a living, breathing entity, the pulse in the air vibrating with excitement. There is shouting and keys tapping, and I've never heard more glorious sounds in all my life. Rolltop desks fill the room. Placards on the walls that say: "Accuracy, Accuracy, Accuracy! Who? What? Where? When? How? The Facts--The Color--The Facts!" surround the perimeter of the newsroom. Peeking out between the placards, windows reveal the city below, and beyond, a view all the way to the East River, New York City in all her muck and glory on proud display.

It's absolutely perfect.

A man approaches me. "Can I help you, miss?"

"I'm here to see Mr. Pulitzer," I reply. "I have an appointment."

Due to his declining health, Pulitzer is reportedly rarely at his office, favoring his private homes or yacht instead, so I seized this rare opportunity for a private meeting.

The man's eyes widen slightly. "And your name?"

"Grace Harrington."

"Follow me, Miss Harrington."

I walk behind him through the newsroom to Mr. Pulitzer's office, struggling to keep from gaping at each new sight that reveals itself. And at the same time, with every step it becomes evident that I am the only woman in the newsroom at the moment, my appearance drawing notice from more than one quarter of the room.

I tried on several outfits before I settled on this one: a sensible white dress with a light blue stripe, fine enough for such a meeting. For all of his success, the rumors that his family in Hungary was wealthy before he arrived in the United States, Pulitzer is a self-made man who understands the divide between rich and poor more than most, considering he's experienced both strata.

The man leads me into Pulitzer's office and announces me before shutting the door behind me, leaving me alone with the newspaperman.

Pulitzer rises from his desk for a moment until I take a seat, and then he follows suit after offering a polite greeting.

Pulitzer is a tall, slim man with a full head of red hair and a matching beard. His career in New York is distinguished--he served as a politician before he began running the World. Like my father, he fought with the northern states in the war. Pulitzer had been pulling back from his newspaper's daily operations, but that was before William Randolph Hearst announced his presence on the scene, and the man who was an unmatched Goliath in New York journalism gained a competitor. In the days when Pulitzer anticipated retiring from professional life, he's unexpectedly forced to wage a war for his paper's supremacy.

"Thank you for agreeing to meet with me, Mr. Pulitzer."

"I was most intrigued by your letter. I admired your father a great deal when we served in the war together. I was sorry to hear of his death."

There's a pang at the mention of my father's passing, one that hasn't quite faded in the years since I lost him. I'm not proud that I've used their past friendship to secure this meeting, but the competition for a job as a reporter is fierce--particularly at a paper as popular as the World--and since my gender is already a hurdle I must overcome, why not even the odds a bit?

"I confess, I was surprised when you asked for this appointment. While I admired your father when we fought alongside each other, it's been many years. How may I help you, Miss Harrington?"

"I'm here for a job if you have one. As a reporter. I've spent the last few years writing for smaller papers, getting experience where I could." I gesture to the leather folio in my lap. "I've brought samples of my work if you'd like to look at them. They're not necessarily the kinds of stories I want to cover, but they're a start."

"Why do you wish to work here, Miss Harrington?" Pulitzer asks, making no move to take the folio from me.

"Because of the stories you investigate, the impact you have. The World has one of the largest circulations in the world."

Indeed, Mr. Pulitzer has just slashed the World's price to one cent, saying he prefers power to profits, circulation the measure by which success is currently judged.

"You have the opportunity to reach readers, to bring about change, to help people who desperately need assistance," I add. "I've admired the work you've done for years. You've long set the tone the rest of the New York newspaper industry follows. You've filled a gap in the news, given a voice to people who wouldn't have otherwise had one. I've read the articles you wrote when you were a reporter yourself in St. Louis, and I admire the manner in which you address society's ills. You've revolutionized the newspaper. I want to be part of that."

"That's all fine and good, but why should I hire you? What would you bring to the World that someone else wouldn't?"

"My gender, for one. A woman knows what it's like to be pushed to society's margins. There are some who might argue that a woman cannot do this job as effectively as a man. They would be wrong. Nellie Bly has proven that. You did, too, when you hired her."

"And what do you know of Nellie Bly?"

"You gave her a chance when others wouldn't."

"Cockerill gave her a chance," he replies, referring to his editor.

"With all due respect, Mr. Pulitzer, we both know this is your paper. You saw something in Nellie Bly. And now she's gone, and you need another reporter who can take on the kinds of stories she did and can go places your male journalists can't. What she accomplished at the Women's Lunatic Asylum"--the words "lunatic asylum" fall distastefully from my mouth--"on Blackwell's Island, going undercover like that, was nothing short of extraordinary. Those women's lives have been changed because of Miss Bly's courage and her daring. Those placards out there, the philosophy with which you run your newsroom--I promise to uphold it every single day I work for you."

Pulitzer leans back in his chair. "You're plucky like Bly, I'll give you that."

"I am."

"Your stepfather is Henry Shelton, isn't he?" Pulitzer asks.

"He is."

"And how does he feel about his stepdaughter sullying the family name with something as common as work--as a reporter no less? Considering how the papers are vilified these days, I'd imagine he wants something very different for you."

"He isn't pleased," I admit.

Pulitzer is silent for a beat. "I have to say, I admire your gumption for coming here."

I take a deep breath, hope filling me. This is it. The chance I've been waiting for to prove myself. I've already thought of a list of articles I want to write, can see my name on the byline--

"That said, we already have more stunt girl reporters than we need," Pulitzer adds, sending the hope billowing inside me crashing down. "Nellie Bly is coming back to write a series of articles for us. The move to Chicago didn't work out for her." He shrugs. "Talented as you may be--you're no Nellie."

I bite my tongue, suppressing the desire to point out that they already have more than one male investigative reporter, but that didn't stop them from hiring scores more.

"Everyone wants to be a reporter, but it's not an easy thing. It takes instincts for this business. A nose for the news. It isn't the sort of thing that can be taught. We could use more society reporters, though. Given your familial connections, you'd have an aptitude for that sort of thing. Our readers love learning about the foibles of the Knickerbockers, hearing about the balls, their entertainments."

"With all due respect, Mr. Pulitzer, those aren't the stories I want to write. It has not escaped my notice that the world I occupy--the society my family belongs to--is not what the rest of the city experiences. As a city, as a country, we are at a pivotal moment. We're deciding who we are, what we stand for, who we stand for. I want to be part of that discussion."

"I don't disagree with you, and I can't fault your enthusiasm or your convictions. But you're young. And relatively inexperienced. I have a newsroom full of reporters who've been working their beats for a long time. You're not ready."

I was prepared for this. Sometimes it feels like I'm banging my head against all the doors closed to me. I just need one door to crack open a little bit, one shot to prove myself.

"You're right. I'm not as experienced as some of your staff. Although, you've been known to take a chance on cub reporters. I'm just looking for someone to give me a chance. If you do, I promise you, you won't regret it."

"Why do you want this so badly? Why the news? If you're so set on working, why not something more respectable? You could be a teacher or a secretary."

"Because when I read Nellie Bly's report from Blackwell Island, I saw someone standing up for women. Women thrust into that miserable place because they didn't conform with society's expectations. Women who were judged insane by the virtue of being different, with little recourse available to them. What Nellie Bly wrote made a difference in the lives of those women. The grand jury's investigation, inspired by her articles, led to increased funding and an improvement in the quality of care for the women in the asylum. I want to write pieces like that, articles that make the world a better place. There's nothing I'd rather do."

When I finish my speech, I can tell I nearly have him by the expression on his face. After all, Pulitzer has made his fortune in the newspaper business. This is his life. Who else would better understand the passion I feel for this profession?

"Why did you come to me, Miss Harrington? Why the World and not one of my competitors? Why not the Journal?"

I'm hardly surprised that he invokes the New York Journal when he speaks of his competitors. The Journal's owner and publisher, William Randolph Hearst, and Pulitzer have been locked in a fierce battle since Hearst came to New York a year ago. Hearst made a name for himself as the publisher of the successful San Francisco Examiner--a newspaper that was floundering when he originally took it over, rebuilding it from scratch-and now he's set his sights on the New York newspaper scene. With his late father's immense wealth behind him, he's a formidable opponent.    

"Because the World reports on the news," I reply smoothly. "The Journal reports on the World. It hasn't escaped my notice that you're often the first to break a story only for Hearst to take your work, sensationalize it, and publish the same story in his paper, which he sells at a loss."
     
Pulitzer's expression darkens. "Hearst has no scruples in the way he runs his newspaper or the manner in which he reports on the news. It is one thing to use dramatics to highlight important causes or to draw readers' attention. But for Hearst, the dramatics aren't a means to the end; they are the end. Months ago, he stole my entire Sunday edition staff. Editor included. When I paid them more money than he did and hired them back, he just stole them again the very next day with the promise of even higher salaries.

"He has spies in my newsroom, Miss Harrington. I doubt his paper can put out an edition without using ours for inspiration. You want to do what the stunt girl reporters do to get the story? You want to be like Nelly Bly? Go undercover and work for Hearst and report back to me on the news the Journal is covering. If he has a lead on something, I want to know about it. Let's see how he likes being beaten at his own game, how he enjoys someone else scooping his stories. If you do a good job of it, say after a year or so, then I'll give you a position as one of my investigative reporters. It's a better offer than you'll get anywhere else with your inexperience."

Of all the possible outcomes I imagined from this interview, this wasn't one of them.

"Why me?"

"Because Hearst isn't likely to suspect someone like you. And since you haven't worked for me before, there's no reason he would link us together. No one knows you."

I came in here all bluster and confidence, hoping I could sway a man who'd built his fortune through his own ingenuity, but the truth is, I'm more than a little desperate. Ever since I moved out of my mother and stepfather's house, and into my aunt Emma's brownstone, money has been tight. I have a small inheritance from my father, but it will only go so far, and I hopefully have many years of fending for myself ahead of me. Scruples are a luxury I can hardly afford if I am to be truly independent, and more than anything in the world, I want to be one of Pulitzer's famed reporters. Spying isn't that different from other stunt reporting schemes, and if Hearst is doing the same to Pulitzer by placing spies in his newsroom...

"You want to be an investigative reporter--prove it. Everyone gets their hands dirty from time to time. Do you have what it takes to be a reporter in New York City, Miss Harrington?" Pulitzer makes an impatient noise as if I've squandered too much of his time. "Do we have a deal?"

It's right there in front of me--everything I've been working for, dreaming of, just within my grasp. And if I could do work, then surely the ends justify the means?

"We have a deal."

About

Named one of 2021’s Most Anticipated Historical Novels and Best Beach Reads by Entertainment WeeklyOprah MagazineTravel + Leisure ∙ BuzzFeed ∙ Parade PopSugarBustle ∙ SheReads ∙ Brit + Co and more!

“An exciting and inspiring read that shows us how womanhood, courage and revolution are three words that often mean the same thing.”―NPR

At the end of the nineteenth century, three revolutionary women fight for freedom in New York Times bestselling author Chanel Cleeton's captivating new novel inspired by real-life events and the true story of a legendary Cuban woman—Evangelina Cisneros—who changed the course of history.


A feud rages in Gilded Age New York City between newspaper tycoons William Randolph Hearst and Joseph Pulitzer. When Grace Harrington lands a job at Hearst's newspaper in 1896, she’s caught in a cutthroat world where one scoop can make or break your career, but it’s a story emerging from Cuba that changes her life.

Unjustly imprisoned in a notorious Havana women's jail, eighteen-year-old Evangelina Cisneros dreams of a Cuba free from Spanish oppression. When Hearst learns of her plight and splashes her image on the front page of his paper, proclaiming her, "The Most Beautiful Girl in Cuba," she becomes a rallying cry for American intervention in the battle for Cuban independence.  

With the help of Marina Perez, a courier secretly working for the Cuban revolutionaries in Havana, Grace and Hearst's staff attempt to free Evangelina. But when Cuban civilians are forced into reconcentration camps and the explosion of the USS Maine propels the United States and Spain toward war, the three women must risk everything in their fight for freedom.

Praise

"In this powerful, page-turner, Chanel Cleeton has interwoven the stories of three unforgettable historical women against the fiery backdrop of the Spanish-American war and the Cuban fight for freedom from the Spanish. Using the brave acts of real-life historical women as inspiration, The Most Beautiful Girl in Cuba shines the light on the fierce women who played a critical role in this important juncture in time -- women who are determined not to be forgotten."
Marie Benedict, New York Times bestselling author of The Mystery of Mrs. Christi
 
 “Cleeton always delivers! This time, with The Most Beautiful Girl in Cuba, a well-researched tale set against the backdrop of a newspaper war. With moguls determined to drag the United States into the conflict between Cuba and Spain, this novel's women--the reporter, the revolutionary, and the beauty--are all brought vividly to life in a lovingly rendered novel about the triumphs and tragedies of war.”
Stephanie Dray, New York Times bestselling author of The Women of Chateau Layfayette
 
“Grace Harrington is my new favourite heroine. I was absolutely fascinated by the world of stunt girl reporters and newspaper wars that she throws herself into, just as I was equal parts enthralled and heartbroken by the story of Evangelina Cisneros, the most beautiful – and courageous – girl in Cuba. And how wonderful to meet another member of the Perez family – the plucky Marina, whose story intertwines with the other women's. Nobody writes about Cuban women – their lives, their loves and their bravery – like Chanel Cleeton does. A truly beautiful book.”
Natasha Lester, New York Times bestselling author of The Paris Secret

“Historical fiction fans will love this novel and its perfectly detailed descriptions of a long-gone era. This is another slam-dunk from Cleeton.” 
Library Journal (starred review)

“An enchanting historical novel…. Cleeton skillfully brings off the three strong women’s heartbreaking stories with intriguing twists and turns and a delightful finale. With impeccable research and perfect pacing, Cleeton makes the most of her subject.”
Publishers Weekly

“With a splash of romance and a healthy helping of history, this novel will be a hit for all collections.”
Booklist

"A truly fascinating novel, layered with drama and danger in which Cleeton shines a light on Cuba's battle for independence through the voices of three dynamic women. As always, Cleeton writes with a passion for her subject that is evident on every page. The depth of her research, and the authenticity of her characters, ensures a wonderfully immersive and compulsive read."
Hazel Gaynor, New York Times bestselling author of When We Were Young and Brave

"Chanel Cleeton uncovers a fascinating bit of little-known history about the Spanish-American War and delivers the real-life story of Evangelina Cisneros in glorious, page-turning detail. The events of her life stoked the circulation wars between Pulitzer and Hearst and highlighted the power of the press. Filled with rich historical facts and strong-minded female characters, you'll want to keep Google open to learn even more about Cuba’s struggle for independence. The Most Beautiful Girl in Cuba is Cleeton’s best book yet!”
Renee Rosen, National bestselling author Park Avenue Summer

"Entertaining, educational, and deeply moving, The Most Beautiful Girl in Cuba is an unputdownable read—I couldn't get enough of the admirable women characters, the history, and the prevailance of romance and hope."
Evie Dunmore, National bestselling author of A Rogue of One’s Own
 
“Chanel Cleeton’s latest page-turner braids together ambitious Gilded Age threads—the seamy world of yellow journalism, the drama of the Spanish-American War, and the meddling role of Society in the lives of women—with the lives of three memorable heroines whose intersecting paths to love and independence will keep you up late into the night.”
Kerri Maher, Author of The Girl in White Gloves
 
“Once again, Chanel Cleeton brings Cuban history to vivid life in her captivating new novel, The Most Beautiful Girl in Cuba. Skillfully intertwining the lives of three women whose lives are irrevocably shaped by the Cuban War of Independence, Cleeton’s page-turning novel showcases the many ways that war can be waged - even by those who never lift a gun.”
Bryn Turnbull, Author of The Woman Before Wallis

“Chanel's Cleeton new novel, The Most Beautiful Girl in Cuba, is a stunning achievement, her best so far, and that's saying a lot.”
Jeanne Mackin, Author of The Last Collection

“Cleeton’s writing is crisp and she frees Cisneros’ character to purely translate her deepest emotions to the reader. This is an excellent work of historical fiction giving an excellent portrait of daily life and political turmoil in 1890s Cuba.”
Currents Magazine

More Praise for the novels of Chanel Cleeton

"A thrilling story about love, loss, and what we will do to go home again. Utterly unputdownable.
PopSugar

"A remarkable writer"
The Washington Post

“You won't be able to put this one down.”
Cosmopolitan

“With rich historical detail, incisive dialogue and a firebrand heroine, Cleeton paints a vivid portrait of a woman caught in the currents of a turbulent time yet determined to make her own way.”
Shelf Awareness

“An exhilarating read with a fearless heroine.”
Woman’s World

“Has sex, drama, suspense…and pairs perfectly with a mojito.”
People

"A beautiful novel that's full of forbidden passions, family secrets and a lot of courage and sacrifice.
Reese Witherspoon

“A sweeping love story and tale of courage and familial and patriotic legacy that spans generations.
Entertainment Weekly

“This Cuban-set historical novel is just what you need to get that ~extra-summery~ feeling."
Bustle

“The Ultimate Beach Read”
Real Simple
 
Next Year in Havana reminds us that while love is complicated and occasionally heartbreaking, it's always worth the risk.”
NPR

“Cleeton is skilled at immersing readers into the culture and the period of her stories while creating vibrant characters, especially women, in a fast-paced, thoroughly engaging read.”
—Denny S. Bryce, Author of Wild Women and the Blues

Author

© Chris Malpass
Chanel Cleeton is the New York Times and USA Today bestselling author of The Cuban Heiress, Our Last Days in Barcelona, The Most Beautiful Girl in Cuba, The Last Train to Key West, When We Left Cuba, and Reese’s Book Club pick Next Year in Havana. She received a bachelor’s degree in International Relations from Richmond, The American International University in London and a master's degree in Global Politics from the London School of Economics & Political Science. Chanel also received her Juris Doctor from the University of South Carolina School of Law. She loves to travel and has lived in the Caribbean, Europe, and Asia. View titles by Chanel Cleeton

Excerpt

One

GRACE

"I think you'll find, Mr. Pulitzer, that as a woman, I'm able to infiltrate parts of society your other reporters can't access. Why, look what Nellie Bly has done in her reporting . . ."

I clutch a leather folio to my chest, the little speech I've prepared running through my mind once more. As I lean down to right my skirts, I stumble on an uneven piece of wet ground, my shoe slipping, the hem of my dress dropping into nearly an inch of dirty water.

So much for making a good first impression.

"Bad luck," a red-haired newsboy shouts out at me, a mischievous grin on his face and the latest edition of the World in his hands.

It's busy today on Park Row, the street that slashes northeast from lower Broadway and houses the major New York newspapers, its proximity to City Hall an attractive proposition for journalists keen to keep up with the inner workings of government. Horse-drawn vehicles form a steady stream of traffic, interspersed by the odd bicycle swerving between them.

I gaze up at the building that houses the New York World, number 99 Park Row, the endless stories piled on top of one another. The tallest building in the city, it was originally the site of French's Hotel. Legend has it that back when Joseph Pulitzer was a penniless veteran he was thrown out of the hotel. Twenty years later he returned, his fortune made, and bought the hotel, demolished it, and constructed this building, topping the new edifice with a four hundred and twenty-five ton gold dome. Two miles of wrought iron columns support the world's largest pressroom, and hopefully, if all goes well--my new place of employment.

"Why, look what Nellie Bly has been able to do," I continue.

I've rehearsed my opening salvo so frequently the words have become rote, but it's done little to calm the nerves inside me. Whereas men go into these interviews needing to be good, I must be better. The crack Miss Bly and others like her have opened for women trying to break into the newspaper industry has made the seemingly impossible possible, but still no easy feat by any measure.

The various articles I've written for smaller papers enclosed in my late father's leather folio represent the last few years of my life. The topics aren't as varied as I'd like: plenty of pieces on women's fashion, some on the care and running of a household from which I borrowed heavily from my mother's example given my lack of a household of my own, the stray piece of relationship advice, which may seem odd from someone who is decidedly--and happily--single. To my readers, my nom de plume A. Markham is a married woman of a respectable age, her children grown, her days spent puttering around her house and dispensing advice when she is not otherwise occupied with her husband's comfort.

I check in with building security, the appointment I made last week the only manner in which I could ensure admittance given the tightly controlled access to Pulitzer's offices. I hurry up to the eighteenth floor, which houses the newsroom.

All of my previous articles for the various small newspapers that have seen A. Markham's advice as fit to print have been sent by post, and so for the first time in my life, I set foot in a newsroom.

I am immediately, irrevocably, in love.

The newsroom feels like a living, breathing entity, the pulse in the air vibrating with excitement. There is shouting and keys tapping, and I've never heard more glorious sounds in all my life. Rolltop desks fill the room. Placards on the walls that say: "Accuracy, Accuracy, Accuracy! Who? What? Where? When? How? The Facts--The Color--The Facts!" surround the perimeter of the newsroom. Peeking out between the placards, windows reveal the city below, and beyond, a view all the way to the East River, New York City in all her muck and glory on proud display.

It's absolutely perfect.

A man approaches me. "Can I help you, miss?"

"I'm here to see Mr. Pulitzer," I reply. "I have an appointment."

Due to his declining health, Pulitzer is reportedly rarely at his office, favoring his private homes or yacht instead, so I seized this rare opportunity for a private meeting.

The man's eyes widen slightly. "And your name?"

"Grace Harrington."

"Follow me, Miss Harrington."

I walk behind him through the newsroom to Mr. Pulitzer's office, struggling to keep from gaping at each new sight that reveals itself. And at the same time, with every step it becomes evident that I am the only woman in the newsroom at the moment, my appearance drawing notice from more than one quarter of the room.

I tried on several outfits before I settled on this one: a sensible white dress with a light blue stripe, fine enough for such a meeting. For all of his success, the rumors that his family in Hungary was wealthy before he arrived in the United States, Pulitzer is a self-made man who understands the divide between rich and poor more than most, considering he's experienced both strata.

The man leads me into Pulitzer's office and announces me before shutting the door behind me, leaving me alone with the newspaperman.

Pulitzer rises from his desk for a moment until I take a seat, and then he follows suit after offering a polite greeting.

Pulitzer is a tall, slim man with a full head of red hair and a matching beard. His career in New York is distinguished--he served as a politician before he began running the World. Like my father, he fought with the northern states in the war. Pulitzer had been pulling back from his newspaper's daily operations, but that was before William Randolph Hearst announced his presence on the scene, and the man who was an unmatched Goliath in New York journalism gained a competitor. In the days when Pulitzer anticipated retiring from professional life, he's unexpectedly forced to wage a war for his paper's supremacy.

"Thank you for agreeing to meet with me, Mr. Pulitzer."

"I was most intrigued by your letter. I admired your father a great deal when we served in the war together. I was sorry to hear of his death."

There's a pang at the mention of my father's passing, one that hasn't quite faded in the years since I lost him. I'm not proud that I've used their past friendship to secure this meeting, but the competition for a job as a reporter is fierce--particularly at a paper as popular as the World--and since my gender is already a hurdle I must overcome, why not even the odds a bit?

"I confess, I was surprised when you asked for this appointment. While I admired your father when we fought alongside each other, it's been many years. How may I help you, Miss Harrington?"

"I'm here for a job if you have one. As a reporter. I've spent the last few years writing for smaller papers, getting experience where I could." I gesture to the leather folio in my lap. "I've brought samples of my work if you'd like to look at them. They're not necessarily the kinds of stories I want to cover, but they're a start."

"Why do you wish to work here, Miss Harrington?" Pulitzer asks, making no move to take the folio from me.

"Because of the stories you investigate, the impact you have. The World has one of the largest circulations in the world."

Indeed, Mr. Pulitzer has just slashed the World's price to one cent, saying he prefers power to profits, circulation the measure by which success is currently judged.

"You have the opportunity to reach readers, to bring about change, to help people who desperately need assistance," I add. "I've admired the work you've done for years. You've long set the tone the rest of the New York newspaper industry follows. You've filled a gap in the news, given a voice to people who wouldn't have otherwise had one. I've read the articles you wrote when you were a reporter yourself in St. Louis, and I admire the manner in which you address society's ills. You've revolutionized the newspaper. I want to be part of that."

"That's all fine and good, but why should I hire you? What would you bring to the World that someone else wouldn't?"

"My gender, for one. A woman knows what it's like to be pushed to society's margins. There are some who might argue that a woman cannot do this job as effectively as a man. They would be wrong. Nellie Bly has proven that. You did, too, when you hired her."

"And what do you know of Nellie Bly?"

"You gave her a chance when others wouldn't."

"Cockerill gave her a chance," he replies, referring to his editor.

"With all due respect, Mr. Pulitzer, we both know this is your paper. You saw something in Nellie Bly. And now she's gone, and you need another reporter who can take on the kinds of stories she did and can go places your male journalists can't. What she accomplished at the Women's Lunatic Asylum"--the words "lunatic asylum" fall distastefully from my mouth--"on Blackwell's Island, going undercover like that, was nothing short of extraordinary. Those women's lives have been changed because of Miss Bly's courage and her daring. Those placards out there, the philosophy with which you run your newsroom--I promise to uphold it every single day I work for you."

Pulitzer leans back in his chair. "You're plucky like Bly, I'll give you that."

"I am."

"Your stepfather is Henry Shelton, isn't he?" Pulitzer asks.

"He is."

"And how does he feel about his stepdaughter sullying the family name with something as common as work--as a reporter no less? Considering how the papers are vilified these days, I'd imagine he wants something very different for you."

"He isn't pleased," I admit.

Pulitzer is silent for a beat. "I have to say, I admire your gumption for coming here."

I take a deep breath, hope filling me. This is it. The chance I've been waiting for to prove myself. I've already thought of a list of articles I want to write, can see my name on the byline--

"That said, we already have more stunt girl reporters than we need," Pulitzer adds, sending the hope billowing inside me crashing down. "Nellie Bly is coming back to write a series of articles for us. The move to Chicago didn't work out for her." He shrugs. "Talented as you may be--you're no Nellie."

I bite my tongue, suppressing the desire to point out that they already have more than one male investigative reporter, but that didn't stop them from hiring scores more.

"Everyone wants to be a reporter, but it's not an easy thing. It takes instincts for this business. A nose for the news. It isn't the sort of thing that can be taught. We could use more society reporters, though. Given your familial connections, you'd have an aptitude for that sort of thing. Our readers love learning about the foibles of the Knickerbockers, hearing about the balls, their entertainments."

"With all due respect, Mr. Pulitzer, those aren't the stories I want to write. It has not escaped my notice that the world I occupy--the society my family belongs to--is not what the rest of the city experiences. As a city, as a country, we are at a pivotal moment. We're deciding who we are, what we stand for, who we stand for. I want to be part of that discussion."

"I don't disagree with you, and I can't fault your enthusiasm or your convictions. But you're young. And relatively inexperienced. I have a newsroom full of reporters who've been working their beats for a long time. You're not ready."

I was prepared for this. Sometimes it feels like I'm banging my head against all the doors closed to me. I just need one door to crack open a little bit, one shot to prove myself.

"You're right. I'm not as experienced as some of your staff. Although, you've been known to take a chance on cub reporters. I'm just looking for someone to give me a chance. If you do, I promise you, you won't regret it."

"Why do you want this so badly? Why the news? If you're so set on working, why not something more respectable? You could be a teacher or a secretary."

"Because when I read Nellie Bly's report from Blackwell Island, I saw someone standing up for women. Women thrust into that miserable place because they didn't conform with society's expectations. Women who were judged insane by the virtue of being different, with little recourse available to them. What Nellie Bly wrote made a difference in the lives of those women. The grand jury's investigation, inspired by her articles, led to increased funding and an improvement in the quality of care for the women in the asylum. I want to write pieces like that, articles that make the world a better place. There's nothing I'd rather do."

When I finish my speech, I can tell I nearly have him by the expression on his face. After all, Pulitzer has made his fortune in the newspaper business. This is his life. Who else would better understand the passion I feel for this profession?

"Why did you come to me, Miss Harrington? Why the World and not one of my competitors? Why not the Journal?"

I'm hardly surprised that he invokes the New York Journal when he speaks of his competitors. The Journal's owner and publisher, William Randolph Hearst, and Pulitzer have been locked in a fierce battle since Hearst came to New York a year ago. Hearst made a name for himself as the publisher of the successful San Francisco Examiner--a newspaper that was floundering when he originally took it over, rebuilding it from scratch-and now he's set his sights on the New York newspaper scene. With his late father's immense wealth behind him, he's a formidable opponent.    

"Because the World reports on the news," I reply smoothly. "The Journal reports on the World. It hasn't escaped my notice that you're often the first to break a story only for Hearst to take your work, sensationalize it, and publish the same story in his paper, which he sells at a loss."
     
Pulitzer's expression darkens. "Hearst has no scruples in the way he runs his newspaper or the manner in which he reports on the news. It is one thing to use dramatics to highlight important causes or to draw readers' attention. But for Hearst, the dramatics aren't a means to the end; they are the end. Months ago, he stole my entire Sunday edition staff. Editor included. When I paid them more money than he did and hired them back, he just stole them again the very next day with the promise of even higher salaries.

"He has spies in my newsroom, Miss Harrington. I doubt his paper can put out an edition without using ours for inspiration. You want to do what the stunt girl reporters do to get the story? You want to be like Nelly Bly? Go undercover and work for Hearst and report back to me on the news the Journal is covering. If he has a lead on something, I want to know about it. Let's see how he likes being beaten at his own game, how he enjoys someone else scooping his stories. If you do a good job of it, say after a year or so, then I'll give you a position as one of my investigative reporters. It's a better offer than you'll get anywhere else with your inexperience."

Of all the possible outcomes I imagined from this interview, this wasn't one of them.

"Why me?"

"Because Hearst isn't likely to suspect someone like you. And since you haven't worked for me before, there's no reason he would link us together. No one knows you."

I came in here all bluster and confidence, hoping I could sway a man who'd built his fortune through his own ingenuity, but the truth is, I'm more than a little desperate. Ever since I moved out of my mother and stepfather's house, and into my aunt Emma's brownstone, money has been tight. I have a small inheritance from my father, but it will only go so far, and I hopefully have many years of fending for myself ahead of me. Scruples are a luxury I can hardly afford if I am to be truly independent, and more than anything in the world, I want to be one of Pulitzer's famed reporters. Spying isn't that different from other stunt reporting schemes, and if Hearst is doing the same to Pulitzer by placing spies in his newsroom...

"You want to be an investigative reporter--prove it. Everyone gets their hands dirty from time to time. Do you have what it takes to be a reporter in New York City, Miss Harrington?" Pulitzer makes an impatient noise as if I've squandered too much of his time. "Do we have a deal?"

It's right there in front of me--everything I've been working for, dreaming of, just within my grasp. And if I could do work, then surely the ends justify the means?

"We have a deal."