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Oak Flat

A Fight for Sacred Land in the American West

Author Lauren Redniss

Hardcover

$30.00 US

Random House Group | Random House

6.53"W x 9.77"H x 1.14"D | 31 oz | 12 per carton

On sale Nov 17, 2020 | 288 Pages | 9780399589720

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NATIONAL BESTSELLER • A powerful work of visual nonfiction about three generations of an Apache family struggling to protect sacred land from a multinational mining corporation, by MacArthur “Genius” and National Book Award finalist Lauren Redniss, the acclaimed author of Thunder & Lightning

“Brilliant . . . virtuosic . . . a master storyteller of a new order.”—Eliza Griswold, The New York Times Book Review (Editors’ Choice)

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY KIRKUS REVIEWS

Oak Flat is a serene high-elevation mesa that sits above the southeastern Arizona desert, fifteen miles to the west of the San Carlos Apache Indian Reservation. For the San Carlos tribe, Oak Flat is a holy place, an ancient burial ground and religious site where Apache girls celebrate the coming-of-age ritual known as the Sunrise Ceremony. In 1995, a massive untapped copper reserve was discovered nearby. A decade later, a law was passed transferring the area to a private company, whose planned copper mine will wipe Oak Flat off the map—sending its natural springs, petroglyph-covered rocks, and old-growth trees tumbling into a void.

Redniss’s deep reporting and haunting artwork anchor this mesmerizing human narrative. Oak Flat tells the story of a race-against-time struggle for a swath of American land, which pits one of the poorest communities in the United States against the federal government and two of the world’s largest mining conglomerates. The book follows the fortunes of two families with profound connections to the contested site: the Nosies, an Apache family whose teenage daughter is an activist and leader in the Oak Flat fight, and the Gorhams, a mining family whose patriarch was a sheriff in the lawless early days of Arizona statehood.

The still-unresolved Oak Flat conflict is ripped from today’s headlines, but its story resonates with foundational American themes: the saga of westward expansion, the resistance and resilience of Native peoples, and the efforts of profiteers to control the land and unearth treasure beneath it while the lives of individuals hang in the balance.

“An artist and writer, Ms. Redniss has a flair for weaving deep reporting and visual storytelling into immersive and engrossing nonfiction. Redniss’s colorful pencil and crayon drawings capture the surreal beauty of the region, with its rocky canyons and gnarly old-growth trees. Regardless of one’s loyalties, Oak Flat conveys the pernicious consequences of viewing land as a resource to be exploited, relentlessly and with little regard for the future.”—The Wall Street Journal

“Lauren Redniss creates books like no one else’s. . . . Oak Flat moves seamlessly between settings, and between voices. . . . Redniss’s stylistic, empathic, and intellectual gifts [are] on great, and equivalent, display. . . . [Her illustrations are] drawn with such animation they seem ready to rise from the page. . . . Oak Flat is a fervent and beautiful argument. . . . It is, one might hope, proof of art's purpose: to expand minds, to promote beauty, and to make change.”—NPR

“The author makes her niche in the little-discussed ‘visual nonfiction’ genre, writing and illustrating books that read like journalism but feel like artsy graphic novels. . . . Between gentle, full-page colored pencil drawings of kind faces and blissful landscapes, Redniss offers mountains of research and interviews.”—The Philadelphia Inquirer

“In conveying the story of the ongoing clash over a patch of southeastern Arizona—site of priceless copper deposits, but also sacred Apache land—Redniss weaves together physics, history, geology, legislative chicanery, intimate portraiture, and tribal custom and culture into a vivid, searing, indelible act of witness.”—Patrick Radden Keefe, New York Times bestselling author of Say Nothing

“Oak Flat left me stunned. History, testimony, art, landscape: Lauren Redniss weaves these elements together to evoke the rock and sand and sky of the Arizona desert, and to bring to life the story of the people for whom that land is sacred. Rarely is a book simultaneously so heartfelt and so brilliant.”—David Treuer, New York Times bestselling author of The Heartbeat of Wounded Knee

“Blending journalism, politics, poetry, and art is a literary high-wire act. Lauren Redniss is one of the few artists who can do it. Oak Flat is a bewitching and mesmerizing book.”—Marjane Satrapi, author of Persepolis

“Gorgeous, devastating, and hopeful . . . Redniss’s glowing colored-pencil illustrations capture the surreal magic of Southwestern landscapes: from a green-eyed ocelot, to the nearly empty Main Street in Superior.”—Publishers Weekly (starred review)

“Artistically and thematically profound . . . As a work of advocacy, the book is compelling and convincing; as a work of art, it is masterful.”—Kirkus Reviews (starred review)

Lauren Redniss is the author of several works of visual non-fiction and the recipient of a MacArthur Foundation “genius grant.” Her book Thunder & Lightning: Weather Past, Present, Future won the 2016 PEN/E. O. Wilson Literary Science Writing Award. Radioactive: Marie & Pierre Curie, A Tale of Love and Fallout was a finalist for the 2011 National Book Award. She has been a Guggenheim fellow, a fellow at the New America Foundation and the New York Public Library’s Cullman Center for Scholars & Writers, and Artist-in-Residence at the American Museum of Natural History. She teaches at the Parsons School of Design in New York City. View titles by Lauren Redniss

Chapter 1

Copper is produced in massive stars and flung out into space as those stars explode.

We look into the night sky; the heavens appear still and quiet. But as you gaze upward, you are a distant witness to cataclysmic violence. Each glittering star is a cauldron of nuclear fusion reactions many light years away. The light we see is the release of energy as the star fuses hydrogen into helium. When a star runs out of hydrogen to fuse, it surrenders to gravity and begins to contract. The star’s core becomes hotter and denser. This heat and pressure spur further nuclear reactions, forming elements of increasingly higher mass. As a large star burns through all the energy it can generate from fusion, its core tightens into a blazingly hot fist of iron.

The star implodes, then rebounds outward, forming a supernova, an explosion bright enough to outshine entire galaxies. The star is dying, collapsing in on itself at velocities of up to 70,000 kilometers per second and spewing dense clouds of hot gas into space at a third of the speed of light, driving a shock wave dozens of light years across. A supernova has the power to forge metallic elements, and as it explodes, it expels these elements into space. In these dense molecular clouds, new stars and planets form.

Some four and a half billion years ago, one of those new stars was our Sun. As cosmic debris orbited the nascent Sun, particles began clumping together, becoming asteroids, planetesimals, and, finally, over millions of years, planets, including Planet Earth.

Young Earth was a seething ball of molten rock and metal. Comets, meteors, and asteroids crashed into the new planet. Eventually, Earth’s surface began to cool and solidify. Water vapor and ice became oceans. Continents collided, were torn asunder, slid past each other, were re-formed. Molten rock known as magma churned under Earth’s surface. Magma that spews from Earth in a volcanic eruption is called lava. Magma can also crystallize underground over hundreds of thousands or even millions of years. Most magmas cool into common granites, but a small percentage concentrates metals to form an ore deposit.

Ore deposits contain coveted minerals, including gold, silver, iron, and copper. Humans have mined these materials for millennia. Today we use mined metals in construction and manufacturing, in medical devices and in agriculture, in power generation and telecommunications. In the twenty-first century, the ore close to Earth’s surface has mostly been harvested, so we dig ever deeper to access what remains.