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A Dragon's Guide to the Care and Feeding of Humans

Illustrated by Mary GrandPre
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Paperback
$7.99 US
5.25"W x 7.63"H x 0.5"D   | 5 oz | 48 per carton
On sale Feb 02, 2016 | 192 Pages | 9780385392310
Age 8-12 years | Grades 3-7
Reading Level: Lexile 840L | Fountas & Pinnell S
Fans of How to Train Your Dragon will love this whimsical tale, the first in a series, by a Newbery Honor winner, featuring charming illustrations and pet "training tips" in each chapter.

Crusty dragon Miss Drake has a new pet human, precocious Winnie. Oddly enough, Winnie seems to think Miss Drake is her pet—a ridiculous notion!

Unknown to most of its inhabitants, the City by the Bay is home to many mysterious and fantastic creatures, hidden beneath the parks, among the clouds, and even in plain sight. And Winnie wants to draw every new creature she encounters: the good, the bad, and the ugly. But Winnie’s sketchbook is not what it seems. Somehow, her sketchlings have been set loose on the city streets! It will take Winnie and Miss Drake’s combined efforts to put an end to the mayhem . . . before it’s too late.

This refreshing debut collaboration by Laurence Yep, a two-time Newbery Honor winner and a Laura Ingalls Wilder Award winner, and Joanne Ryder features illustrations by Mary GrandPré.     

Praise for A Dragon's Guide to the Care and Feeding of Humans
*“Warm humor, magical mishaps, and the main characters’ budding mutual respect and affection combine to give this opener for a planned series a special shine.” –Booklist, Starred
 
“Aternately comical, suspenseful and sometimes sweetly emotional.” –Kirkus Reviews
 
“With a black-and-white spot illustration opening most chapters, an engaging narrator, and a consistently fluid writing style, this title makes a fine dragon choice for readers.” –School Library Journal
 
“In this series launch, Yep and Ryder conjure up a world where dragons and humans interact, and the results are heartwarming and quite funny.” –Publishers Weekly
 
“A clever and amusing novel that imagines a magical world that nestles right up against our own and sometimes crosses over.” –The Bulleting of the Center for Children’s Books

Praise for A Dragon’s Guide to Making Your Human Smarter
"Yep and Ryder keep the magic coming with their whimsical fantasy, enhanced by Grandpré's sweet drawings. The story positively vibrates with fun." —Kirkus Reviews

" Lighthearted episodes of unusual school lessons and field trips, illustrated by GrandPré’s winsome spot art, are grounded by Miss Drake’s more serious encounters with the goons...a gratifying development as this buoyant, fantastical series continues."—The Horn Book Review
"Warm humor, magical mishaps, and the main characters’ budding mutual respect and affection combine to give this opener for a planned series a special shine that will draw readers and leave them impatient for sequels."
Booklist starred review
"I was born in San Francisco's Chinatown in 1948, but grew up in a black neighborhood. During elementary and middle school, I commuted to a bilingual school in Chinatown. So I did not confront white American culture until high school. Approaching that culture as an outsider, I have been fascinated by all its aspects — from its great novels to its children's literature, comic art, and science fiction. Thus, I am able to pursue the figure of the 'stranger' both in my studies and my writing.

"While I was in high school, I discovered and began writing science fiction. At 18, my first short story was published — I was paid a penny a word by a science fiction magazine. I continued to write and five years later I published my first novel, Sweetwater.

"In 1966, I attended Marquette University and graduated from the University of California at Santa Cruz in 1970. I received my doctorate in English from the State University of New York at Buffalo, where I wrote my dissertation on William Faulkner's early novels. I now live in San Francisco with my wife, Joanne Ryder, and write and teach.

"Probably the reason why much of my writing has found its way to a teenage audience is that I'm always pursuing the theme of being an outsider — an alien — and many teenagers feel they're aliens. All of my books have dealt with the outsider — from the aliens of Sweetwater to alienated heroes such as the Chinese-American aviator in Dragonwings."

Today Laurence Yep is known as a premier Asian-American writer. His distinguished novels for young people that deal with the Asian-American experience include two Newbery Honor Award winners, Dragonwings and Dragon's Gate. Mr.Yep, who has a Ph.D. in English, has taught at the University of California at Berkeley and Santa Barbara. He also is an award-winning playwright and has edited a collection of writings by Asian-Americans. Mr.Yep lives in San Francisco. Ribbons is his first book for Putnam.

copyright ? 2000 by Penguin Putnam Books for Young Readers. All rights reserved.

View titles by Laurence Yep
Joanne Ryder has her own ties to Laura Ingalls Wilder. She helped edit West from Home: Letters of Laura Ingalls Wilder, San Francisco, 1915. Already in love with the city, Ingalls’s letters introduced Ryder to the 1915 San Francisco World’s Fair, providing the perfect backdrop for Winnie and Miss Drake’s adventures. In her storied career, Ryder has published more than seventy books and received numerous awards for her nature writing and poetry. View titles by Joanne Ryder
© From the author
For as long as I can remember, I have felt a strong connection to animals. I enjoy learning about them, caring for them, and of course, when ever possible, drawing them. That’s why illustrating The Carnival of the Animals was such a joy. It was great fun figuring out what each animal should look like based on how the poems described them, and listening to the classical music while I drew each one helped a great deal. I believe animals all have unique personalities and abilities, and if we are observant, we can learn a great deal from them.
 
The first animal I ever truly connected with was my dog Skippy. He was a mix of rat terrier and Jack Russell. He was white with black spots. I was eight years old when we found him at the animal shelter in Bloomington Minnesota, the town I grew up in. The day we got him, we surprised my mom when we went to the grocery store where she was working as a cashier. We went through her checkout line to buy Skippy’s first bag of dog food. Needless to say my mom was not very happy with us that day, and I don’t recommend ever surprising a parent that way with a new pet . . . but the good news is, she ended up loving Skippy as much as the rest of us did.
 
Skippy and I had a very special relationship. At times it felt like we were actually talking to each other, especially when he would jump up into my lap, tilt his head and point just one ear up. It was as if he was just waiting for me to suggest something we could play together. One of our favorite things to do was to play hide-and-seek. There was an old oak tree that was perfect for climbing in the back yard. Well, no matter how often Skippy and I played hide-and-seek, I would always use the tree as one of my hiding places. I remember climbing up as high as I could go, while Skippy was wandering around in the front yard. After positioning myself comfortably in the highest branches, I would call, “SKIPPY. . . COME AND FIND ME!” Then I would hear the jingle of his dog tags, and wait and watch for him to come around to the back yard. I had a good view, peeking through the green clumps of leaves. As he got closer, I would call again and he would come running to the tree, never looking up, just circling the base, looking confused. Then he would run and sniff and snoop under bushes, behind the shed, or on the swing set. Finally, after a few more calls and more searching, I would quietly sneak down to the lowest branch and then jump to the ground, yelling, “HEEEERRRRE I AMMMM!” He would come running, so excited to see me, seeming so surprised that I had been hiding in the big oak. The funny thing is, no matter how many times I hid in that old oak tree, he never looked up to see me there. He never remembered that I always hid in the tree . . . or did he?
 
Today I wonder if Skippy always knew. Perhaps he was just letting me stay there while he pretended to hunt for me in other places? Skippy knew how to be a good sport and how to play with vigor. He taught me how to find enjoyment in the little things.
 
I hope you enjoy meeting the characters in The Carnival of the Animals. Perhaps you too will make a special connection. View titles by Mary GrandPre
If you value your happiness and sanity, take your time and choose your pet wisely.

It was a lovely funeral for Fluffy, the best pet I ever had. I was pleased by the turnout at the mansion. Mourners filled the large backyard and mingled as the sun finally broke through the San Francisco fog. Everyone had loved Fluffy. She had such a gentle temperament--quite the nicest of all my pets. Even when she was feeling out of sorts, she never bit anyone--partly because I had trained her well and partly because she wouldn’t hurt a fly.

She was such a special pet that I knew I could never find another one like her. I intended to bide my time, perhaps sleep for twenty or thirty years, until the ache in my heart had eased a little. Even then, I wasn’t sure when I would get another pet.

But Winnie didn’t give me any choice. Just two days after the funeral, she stomped into my lair. Without any warning, I heard a key scraping against the lock; then the door jerked open. The little creature stepped inside. She was the scrawniest of specimens, dressed all in black. Her very curly, every-which-way hair was light brown.

Putting a fist on her hip, she studied me, her glance flicking from the tip of my tail to my glorious head. “Are you really a dragon?” She sounded disappointed.

“Don’t be rude,” I snapped. “And how did you get the key?”

“Great-Aunt Amelia put it in her last letter to me,” she said as she strolled farther inside my living room. Amelia was the ridiculous nickname that the other humans used for my Fluffy. “It had directions to the hidden door in the basement.” She stared at me bold as brass. “She was afraid you’d be lonely.”

“Well, I’m not.” I held out my paw to the obnoxious creature. “So give me the key and go away.”

Instead, she circled round my lair, stopping by the Regina and the metal song discs. She looked curiously at the large box, which was some two feet on each side. Delicate wooden inlays created lovely pictures of coral and shells on its lid, front, and sides. “What’s this?”

“A music box,” I said. It had been a gift from Fluffy’s grandfather Sebastian, who had been fun when he was young but had become terribly boring when he grew older. Still, he had never been stingy, and the music box had been only one of many expensive presents.

She pivoted slowly. “I thought a dragon’s den would be different.”

“I dare you to show me a nicer one,” I sniffed.

She waved her hand at the floor in disappointment. “I figured you’d have gold and jewels lying around in piles, not a carpet and a sofa.”

“Have you ever tried sleeping on gold?” I asked. Then I answered my own question because I knew she didn’t know. “Gold is hard and cold, and as for jewels . . . well . . . the diamonds leave scratches on my scales that take forever to buff out.”

If this fussy little thing had had any manners, she would have stifled her curiosity, but she was obviously quite feral. She motioned to the red velvet drapes with the tassels of gold wire. “Okay, then why do you need curtains? You’re underground.” Crossing the room quickly--her shoes tracking dirt all over the best Bokhara wool, woven by a master weaver--she jerked a drape back to reveal the painting before I could stop her.

“Huh,” she said, surprised, and then leaned forward to examine it closer. “What’s this doing here?”

Perhaps she had been expecting some oil painting by a celebrated artist instead of a child’s crude watercolor, but I wouldn’t have traded it for ten Rembrandts. A dragon with shining crimson scales soared into dark, dark clouds from which lightning bolts shot like jagged swords. A few years ago, Fluffy claimed she had found it at a holiday sale run by the parents of the Spriggs Academy students. She said that it had reminded her of me, so she had put it into a lovely gilded frame--Fluffy always had hd exquisite taste--and presented it to me.

And I’d been just as enchanted. The young artist had painted the red dragon with fiery eyes and a determined jut of her jaw as her powerful wings fought the winds. It was just the way every dragon should be.

“Get away from there,” I said as firmly as any dragon could. But she wasn’t listening.

She rubbed at the little spot of steam her breath had left. “The glass protects it. But even if I smudged it, I could always paint you another.”

I gazed scornfully at this preposterous creature with the unruly hair. “Don’t be absurd.”

She rounded on her heel. “I sent it to Great-Aunt Amelia four years ago.”

“It came from a school sale,” I insisted, but I was less sure now. I had never been able to break Fluffy’s habit of telling little white lies.

“Turn it around.” The creature jabbed her finger at the painting. “I wrote my letter to her on the back.”

I decided to call her bluff. “If your writing isn’t there, will you leave?”

She folded her arms confidently. “Sure, but I get to stay if it is.”

The painting hung from the picture molding that ran parallel to the floor and high up on the wall. I lifted the frame upward, unhooked the wires from the molding, and tore the brown paper from the back.

There, written with a pencil, were a child’s crude block letters:



DER ANT AMELEEA,

I LIKE YUR STOREES. MAMA REEDS THEM 2 ME LOTS.



It was signed: W.

A bony finger pointed at the signature. “The ‘W’ stands for Winifred. That’s me.”

“Fl--” I caught myself. “Amelia told you about me?”

To her credit, Winnie traced Amelia’s name sadly. “I thought the dragons in her letters were imaginary. But I loved hearing them, and later, when I could, reading them myself. It was great when I found a letter in our mailbox.” She lifted her head to look at me. “Then her last one was sad but wonderful too. She told me you were real and where to find you.”

Fluffy, Fluffy, what have you done? She had told me that she was leaving the house to a niece and her daughter and had taken care of everything. I assumed that Fluffy had drawn up a will. I had no idea she had gone so much further.

About

Fans of How to Train Your Dragon will love this whimsical tale, the first in a series, by a Newbery Honor winner, featuring charming illustrations and pet "training tips" in each chapter.

Crusty dragon Miss Drake has a new pet human, precocious Winnie. Oddly enough, Winnie seems to think Miss Drake is her pet—a ridiculous notion!

Unknown to most of its inhabitants, the City by the Bay is home to many mysterious and fantastic creatures, hidden beneath the parks, among the clouds, and even in plain sight. And Winnie wants to draw every new creature she encounters: the good, the bad, and the ugly. But Winnie’s sketchbook is not what it seems. Somehow, her sketchlings have been set loose on the city streets! It will take Winnie and Miss Drake’s combined efforts to put an end to the mayhem . . . before it’s too late.

This refreshing debut collaboration by Laurence Yep, a two-time Newbery Honor winner and a Laura Ingalls Wilder Award winner, and Joanne Ryder features illustrations by Mary GrandPré.     

Praise for A Dragon's Guide to the Care and Feeding of Humans
*“Warm humor, magical mishaps, and the main characters’ budding mutual respect and affection combine to give this opener for a planned series a special shine.” –Booklist, Starred
 
“Aternately comical, suspenseful and sometimes sweetly emotional.” –Kirkus Reviews
 
“With a black-and-white spot illustration opening most chapters, an engaging narrator, and a consistently fluid writing style, this title makes a fine dragon choice for readers.” –School Library Journal
 
“In this series launch, Yep and Ryder conjure up a world where dragons and humans interact, and the results are heartwarming and quite funny.” –Publishers Weekly
 
“A clever and amusing novel that imagines a magical world that nestles right up against our own and sometimes crosses over.” –The Bulleting of the Center for Children’s Books

Praise for A Dragon’s Guide to Making Your Human Smarter
"Yep and Ryder keep the magic coming with their whimsical fantasy, enhanced by Grandpré's sweet drawings. The story positively vibrates with fun." —Kirkus Reviews

" Lighthearted episodes of unusual school lessons and field trips, illustrated by GrandPré’s winsome spot art, are grounded by Miss Drake’s more serious encounters with the goons...a gratifying development as this buoyant, fantastical series continues."—The Horn Book Review

Praise

"Warm humor, magical mishaps, and the main characters’ budding mutual respect and affection combine to give this opener for a planned series a special shine that will draw readers and leave them impatient for sequels."
Booklist starred review

Author

"I was born in San Francisco's Chinatown in 1948, but grew up in a black neighborhood. During elementary and middle school, I commuted to a bilingual school in Chinatown. So I did not confront white American culture until high school. Approaching that culture as an outsider, I have been fascinated by all its aspects — from its great novels to its children's literature, comic art, and science fiction. Thus, I am able to pursue the figure of the 'stranger' both in my studies and my writing.

"While I was in high school, I discovered and began writing science fiction. At 18, my first short story was published — I was paid a penny a word by a science fiction magazine. I continued to write and five years later I published my first novel, Sweetwater.

"In 1966, I attended Marquette University and graduated from the University of California at Santa Cruz in 1970. I received my doctorate in English from the State University of New York at Buffalo, where I wrote my dissertation on William Faulkner's early novels. I now live in San Francisco with my wife, Joanne Ryder, and write and teach.

"Probably the reason why much of my writing has found its way to a teenage audience is that I'm always pursuing the theme of being an outsider — an alien — and many teenagers feel they're aliens. All of my books have dealt with the outsider — from the aliens of Sweetwater to alienated heroes such as the Chinese-American aviator in Dragonwings."

Today Laurence Yep is known as a premier Asian-American writer. His distinguished novels for young people that deal with the Asian-American experience include two Newbery Honor Award winners, Dragonwings and Dragon's Gate. Mr.Yep, who has a Ph.D. in English, has taught at the University of California at Berkeley and Santa Barbara. He also is an award-winning playwright and has edited a collection of writings by Asian-Americans. Mr.Yep lives in San Francisco. Ribbons is his first book for Putnam.

copyright ? 2000 by Penguin Putnam Books for Young Readers. All rights reserved.

View titles by Laurence Yep
Joanne Ryder has her own ties to Laura Ingalls Wilder. She helped edit West from Home: Letters of Laura Ingalls Wilder, San Francisco, 1915. Already in love with the city, Ingalls’s letters introduced Ryder to the 1915 San Francisco World’s Fair, providing the perfect backdrop for Winnie and Miss Drake’s adventures. In her storied career, Ryder has published more than seventy books and received numerous awards for her nature writing and poetry. View titles by Joanne Ryder
© From the author
For as long as I can remember, I have felt a strong connection to animals. I enjoy learning about them, caring for them, and of course, when ever possible, drawing them. That’s why illustrating The Carnival of the Animals was such a joy. It was great fun figuring out what each animal should look like based on how the poems described them, and listening to the classical music while I drew each one helped a great deal. I believe animals all have unique personalities and abilities, and if we are observant, we can learn a great deal from them.
 
The first animal I ever truly connected with was my dog Skippy. He was a mix of rat terrier and Jack Russell. He was white with black spots. I was eight years old when we found him at the animal shelter in Bloomington Minnesota, the town I grew up in. The day we got him, we surprised my mom when we went to the grocery store where she was working as a cashier. We went through her checkout line to buy Skippy’s first bag of dog food. Needless to say my mom was not very happy with us that day, and I don’t recommend ever surprising a parent that way with a new pet . . . but the good news is, she ended up loving Skippy as much as the rest of us did.
 
Skippy and I had a very special relationship. At times it felt like we were actually talking to each other, especially when he would jump up into my lap, tilt his head and point just one ear up. It was as if he was just waiting for me to suggest something we could play together. One of our favorite things to do was to play hide-and-seek. There was an old oak tree that was perfect for climbing in the back yard. Well, no matter how often Skippy and I played hide-and-seek, I would always use the tree as one of my hiding places. I remember climbing up as high as I could go, while Skippy was wandering around in the front yard. After positioning myself comfortably in the highest branches, I would call, “SKIPPY. . . COME AND FIND ME!” Then I would hear the jingle of his dog tags, and wait and watch for him to come around to the back yard. I had a good view, peeking through the green clumps of leaves. As he got closer, I would call again and he would come running to the tree, never looking up, just circling the base, looking confused. Then he would run and sniff and snoop under bushes, behind the shed, or on the swing set. Finally, after a few more calls and more searching, I would quietly sneak down to the lowest branch and then jump to the ground, yelling, “HEEEERRRRE I AMMMM!” He would come running, so excited to see me, seeming so surprised that I had been hiding in the big oak. The funny thing is, no matter how many times I hid in that old oak tree, he never looked up to see me there. He never remembered that I always hid in the tree . . . or did he?
 
Today I wonder if Skippy always knew. Perhaps he was just letting me stay there while he pretended to hunt for me in other places? Skippy knew how to be a good sport and how to play with vigor. He taught me how to find enjoyment in the little things.
 
I hope you enjoy meeting the characters in The Carnival of the Animals. Perhaps you too will make a special connection. View titles by Mary GrandPre

Excerpt

If you value your happiness and sanity, take your time and choose your pet wisely.

It was a lovely funeral for Fluffy, the best pet I ever had. I was pleased by the turnout at the mansion. Mourners filled the large backyard and mingled as the sun finally broke through the San Francisco fog. Everyone had loved Fluffy. She had such a gentle temperament--quite the nicest of all my pets. Even when she was feeling out of sorts, she never bit anyone--partly because I had trained her well and partly because she wouldn’t hurt a fly.

She was such a special pet that I knew I could never find another one like her. I intended to bide my time, perhaps sleep for twenty or thirty years, until the ache in my heart had eased a little. Even then, I wasn’t sure when I would get another pet.

But Winnie didn’t give me any choice. Just two days after the funeral, she stomped into my lair. Without any warning, I heard a key scraping against the lock; then the door jerked open. The little creature stepped inside. She was the scrawniest of specimens, dressed all in black. Her very curly, every-which-way hair was light brown.

Putting a fist on her hip, she studied me, her glance flicking from the tip of my tail to my glorious head. “Are you really a dragon?” She sounded disappointed.

“Don’t be rude,” I snapped. “And how did you get the key?”

“Great-Aunt Amelia put it in her last letter to me,” she said as she strolled farther inside my living room. Amelia was the ridiculous nickname that the other humans used for my Fluffy. “It had directions to the hidden door in the basement.” She stared at me bold as brass. “She was afraid you’d be lonely.”

“Well, I’m not.” I held out my paw to the obnoxious creature. “So give me the key and go away.”

Instead, she circled round my lair, stopping by the Regina and the metal song discs. She looked curiously at the large box, which was some two feet on each side. Delicate wooden inlays created lovely pictures of coral and shells on its lid, front, and sides. “What’s this?”

“A music box,” I said. It had been a gift from Fluffy’s grandfather Sebastian, who had been fun when he was young but had become terribly boring when he grew older. Still, he had never been stingy, and the music box had been only one of many expensive presents.

She pivoted slowly. “I thought a dragon’s den would be different.”

“I dare you to show me a nicer one,” I sniffed.

She waved her hand at the floor in disappointment. “I figured you’d have gold and jewels lying around in piles, not a carpet and a sofa.”

“Have you ever tried sleeping on gold?” I asked. Then I answered my own question because I knew she didn’t know. “Gold is hard and cold, and as for jewels . . . well . . . the diamonds leave scratches on my scales that take forever to buff out.”

If this fussy little thing had had any manners, she would have stifled her curiosity, but she was obviously quite feral. She motioned to the red velvet drapes with the tassels of gold wire. “Okay, then why do you need curtains? You’re underground.” Crossing the room quickly--her shoes tracking dirt all over the best Bokhara wool, woven by a master weaver--she jerked a drape back to reveal the painting before I could stop her.

“Huh,” she said, surprised, and then leaned forward to examine it closer. “What’s this doing here?”

Perhaps she had been expecting some oil painting by a celebrated artist instead of a child’s crude watercolor, but I wouldn’t have traded it for ten Rembrandts. A dragon with shining crimson scales soared into dark, dark clouds from which lightning bolts shot like jagged swords. A few years ago, Fluffy claimed she had found it at a holiday sale run by the parents of the Spriggs Academy students. She said that it had reminded her of me, so she had put it into a lovely gilded frame--Fluffy always had hd exquisite taste--and presented it to me.

And I’d been just as enchanted. The young artist had painted the red dragon with fiery eyes and a determined jut of her jaw as her powerful wings fought the winds. It was just the way every dragon should be.

“Get away from there,” I said as firmly as any dragon could. But she wasn’t listening.

She rubbed at the little spot of steam her breath had left. “The glass protects it. But even if I smudged it, I could always paint you another.”

I gazed scornfully at this preposterous creature with the unruly hair. “Don’t be absurd.”

She rounded on her heel. “I sent it to Great-Aunt Amelia four years ago.”

“It came from a school sale,” I insisted, but I was less sure now. I had never been able to break Fluffy’s habit of telling little white lies.

“Turn it around.” The creature jabbed her finger at the painting. “I wrote my letter to her on the back.”

I decided to call her bluff. “If your writing isn’t there, will you leave?”

She folded her arms confidently. “Sure, but I get to stay if it is.”

The painting hung from the picture molding that ran parallel to the floor and high up on the wall. I lifted the frame upward, unhooked the wires from the molding, and tore the brown paper from the back.

There, written with a pencil, were a child’s crude block letters:



DER ANT AMELEEA,

I LIKE YUR STOREES. MAMA REEDS THEM 2 ME LOTS.



It was signed: W.

A bony finger pointed at the signature. “The ‘W’ stands for Winifred. That’s me.”

“Fl--” I caught myself. “Amelia told you about me?”

To her credit, Winnie traced Amelia’s name sadly. “I thought the dragons in her letters were imaginary. But I loved hearing them, and later, when I could, reading them myself. It was great when I found a letter in our mailbox.” She lifted her head to look at me. “Then her last one was sad but wonderful too. She told me you were real and where to find you.”

Fluffy, Fluffy, what have you done? She had told me that she was leaving the house to a niece and her daughter and had taken care of everything. I assumed that Fluffy had drawn up a will. I had no idea she had gone so much further.