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The Cider House Rules

A Novel

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Paperback
$19.00 US
5.2"W x 8"H x 1.3"D   | 16 oz | 24 per carton
On sale Jun 23, 1997 | 640 Pages | 9780345417947
The Cider House Rules is filled with people to love and to feel for. . . . The characters in John Irving’s novel break all the rules, and yet they remain noble and free-spirited.”—The Houston Post

First published in 1985, The Cider House Rules is set in rural Maine in the first half of the twentieth century. The novel tells the story of Dr. Wilbur Larch—saint and obstetrician, founder and director of the orphanage in the town of St. Cloud’s, ether addict and abortionist. This is also the story of Dr. Larch’s favorite orphan, Homer Wells, who is never adopted.

Praise for The Cider House Rules

“ [Irving] is among the very best storytellers at work today. At the base of Irving’s own moral concerns is a rare and lasting regard for human kindness.”The Philadelphia Inquirer

“ Superb in scope and originality, a novel as good as one could hope to find from any author, anywhere, anytime. Engrossing, moving, thoroughly satisfying.”—Joseph Heller

“ An old-fashioned, big-hearted novel . . . with its epic yearning caught in the nineteenth century, somewhere between Trollope and Twain.”Boston Sunday Globe
The Cider House Rules is filled with people to love and to feel for. . . . The characters in John Irving’s novel break all the rules, and yet they remain noble and free-spirited.”The Houston Post

“ [Irving] is among the very best storytellers at work today. At the base of Irving’s own moral concerns is a rare and lasting regard for human kindness.”The Philadelphia Inquirer

“ Superb in scope and originality, a novel as good as one could hope to find from any author, anywhere, anytime. Engrossing, moving, thoroughly satisfying.”—Joseph Heller

“ An old-fashioned, big-hearted novel . . . with its epic yearning caught in the nineteenth century, somewhere between Trollope and Twain.”Boston Sunday Globe
© Nina Cochrane
JOHN IRVING was born in Exeter, New Hampshire, in 1942. His first novel, Setting Free the Bears, was published in 1968, when he was twenty-six. He competed as a wrestler for twenty years, and coached wrestling until he was forty-seven. In 1992, he was inducted into the National Wrestling Hall of Fame in Stillwater, Oklahoma.
 
Mr. Irving has been nominated for a National Book Award three times—winning once, in 1980, for his novel The World According to Garp. In 2000, he won the Oscar for Best Adapted Screenplay for The Cider House Rules. In 2013, Mr. Irving won a Lambda Literary Award for his novel In One Person. Internationally renowned, his books have been translated into more than thirty-five languages. A Prayer for Owen Meany is his best-selling novel, in every language.
 
A dual citizen of the United States and Canada, John Irving lives in Toronto. View titles by John Irving
Chapter One


The Boy Who Belonged to St. Cloud’s


In the hospital of the orphanage-the boys’ division at St. Cloud’s, Maine-two nurses were in charge of naming the new babies and checking that their little penises were healing from the obligatory circumcision. In those days (in 192_), all boys born at St. Cloud’s were circumcised because the orphanage physician had experienced some difficulty in treating uncircumcised soldiers, for this and for that, in World War I. The doctor, who was also the doctor of the boys’ division, was not a religious man; circumcision was not a rite with him-it was a strictly medical act, performed for hygienic reasons. His name was Wilbur Larch, which, except for the scent of ether that always accompanied him, reminded one of the nurses of the tough, durable wood of the coniferous tree of that name. She hated, however, the ridiculous name of Wilbur, and took offense at the silliness of combining a word like Wilbur with something as substantial as a tree.

The other nurse imagined herself to be in love with Dr. Larch, and when it was her turn to name a baby, she frequently named him John Larch, or John Wilbur (her father’s name was John), or Wilbur Walsh (her mother’s maiden name had been Walsh). Despite her love for Dr. Larch, she could not imagine Larch as anything but a last name-and when she thought of him, she did not think of trees at all. For its flexibility as a first or as a last name, she loved the name of Wilbur-and when she tired of her use of John, or was criticized by her colleague for overusing it, she could rarely come up with anything more original than a Robert Larch or a Jack Wilbur (she seemed not to know that Jack was often a nickname for John).

If he had been named by this dull, love-struck nurse, he probably would have been a Larch or a Wilbur of one kind or another; and a John, a Jack, or a Robert-to make matters even duller. Because it was the other nurse’s turn, he was named Homer Wells.

The other nurse’s father was in the business of drilling wells, which was hard, harrowing, honest, precise work-to her thinking her father was composed of these qualities, which lent the word “wells” a certain deep, down-to-earth aura. “Homer” had been the name of one of her family’s umpteen cats.

This other nurse-Nurse Angela, to almost everyone-rarely repeated the names of her babies, whereas poor Nurse Edna had named three John Wilbur Juniors, and two John Larch the Thirds. Nurse Angela knew an inexhaustible number of no-nonsense nouns, which she diligently employed as last names-Maple, Fields, Stone, Hill, Knot, Day, Waters (to list a few)-and a slightly less impressive list of first names borrowed from a family history of many dead but cherished pets (Felix, Fuzzy, Smoky, Sam, Snowy, Joe, Curly, Ed and so forth).

For most of the orphans, of course, these nurse-given names were temporary. The boys’ division had a better record than the girls’ division at placing the orphans in homes when they were babies; too young ever to know the names their good nurses had given them; most of the orphans wouldn’t even remember Nurse Angela or Nurse Edna, the first women in the world to fuss over them. Dr. Larch made it a firm policy that the orphans’ adoptive families not be informed of the names the nurses gave with such zeal. The feeling at St. Cloud’s was that a child, upon leaving the orphanage, should know the thrill of a fresh start-but (especially the boys who were difficult to place and lived at St. Cloud’s the longest) it was hard for Nurse Angela and Nurse Edna, and even for Dr. Larch, not to think of their John Wilburs and John Larches (their Felix Hills, Curly Maples, Joe Knots, Smoky Waterses) as possessing their nurse-given names forever.

The reason Homer Wells kept his name was that he came back to St. Cloud’s so many times, after so many failed foster home, that the orphanage was forced to acknowledge Homer’s intention to make St. Cloud’s his home. It was not easy for anyone to accept, but Nurse Angela and Nurse Edna-and, finally, Dr. Wilbur Larch-were forced to admit that Homer Wells belonged to St. Cloud’s. The determined boy was not put up for adoption anymore.

Nurse Angela, with her love of cats and orphans, once remarked of Homer Wells that the boy must adore the name she gave him because he fought so hard not to lose it.

About

The Cider House Rules is filled with people to love and to feel for. . . . The characters in John Irving’s novel break all the rules, and yet they remain noble and free-spirited.”—The Houston Post

First published in 1985, The Cider House Rules is set in rural Maine in the first half of the twentieth century. The novel tells the story of Dr. Wilbur Larch—saint and obstetrician, founder and director of the orphanage in the town of St. Cloud’s, ether addict and abortionist. This is also the story of Dr. Larch’s favorite orphan, Homer Wells, who is never adopted.

Praise for The Cider House Rules

“ [Irving] is among the very best storytellers at work today. At the base of Irving’s own moral concerns is a rare and lasting regard for human kindness.”The Philadelphia Inquirer

“ Superb in scope and originality, a novel as good as one could hope to find from any author, anywhere, anytime. Engrossing, moving, thoroughly satisfying.”—Joseph Heller

“ An old-fashioned, big-hearted novel . . . with its epic yearning caught in the nineteenth century, somewhere between Trollope and Twain.”Boston Sunday Globe

Praise

The Cider House Rules is filled with people to love and to feel for. . . . The characters in John Irving’s novel break all the rules, and yet they remain noble and free-spirited.”The Houston Post

“ [Irving] is among the very best storytellers at work today. At the base of Irving’s own moral concerns is a rare and lasting regard for human kindness.”The Philadelphia Inquirer

“ Superb in scope and originality, a novel as good as one could hope to find from any author, anywhere, anytime. Engrossing, moving, thoroughly satisfying.”—Joseph Heller

“ An old-fashioned, big-hearted novel . . . with its epic yearning caught in the nineteenth century, somewhere between Trollope and Twain.”Boston Sunday Globe

Author

© Nina Cochrane
JOHN IRVING was born in Exeter, New Hampshire, in 1942. His first novel, Setting Free the Bears, was published in 1968, when he was twenty-six. He competed as a wrestler for twenty years, and coached wrestling until he was forty-seven. In 1992, he was inducted into the National Wrestling Hall of Fame in Stillwater, Oklahoma.
 
Mr. Irving has been nominated for a National Book Award three times—winning once, in 1980, for his novel The World According to Garp. In 2000, he won the Oscar for Best Adapted Screenplay for The Cider House Rules. In 2013, Mr. Irving won a Lambda Literary Award for his novel In One Person. Internationally renowned, his books have been translated into more than thirty-five languages. A Prayer for Owen Meany is his best-selling novel, in every language.
 
A dual citizen of the United States and Canada, John Irving lives in Toronto. View titles by John Irving

Excerpt

Chapter One


The Boy Who Belonged to St. Cloud’s


In the hospital of the orphanage-the boys’ division at St. Cloud’s, Maine-two nurses were in charge of naming the new babies and checking that their little penises were healing from the obligatory circumcision. In those days (in 192_), all boys born at St. Cloud’s were circumcised because the orphanage physician had experienced some difficulty in treating uncircumcised soldiers, for this and for that, in World War I. The doctor, who was also the doctor of the boys’ division, was not a religious man; circumcision was not a rite with him-it was a strictly medical act, performed for hygienic reasons. His name was Wilbur Larch, which, except for the scent of ether that always accompanied him, reminded one of the nurses of the tough, durable wood of the coniferous tree of that name. She hated, however, the ridiculous name of Wilbur, and took offense at the silliness of combining a word like Wilbur with something as substantial as a tree.

The other nurse imagined herself to be in love with Dr. Larch, and when it was her turn to name a baby, she frequently named him John Larch, or John Wilbur (her father’s name was John), or Wilbur Walsh (her mother’s maiden name had been Walsh). Despite her love for Dr. Larch, she could not imagine Larch as anything but a last name-and when she thought of him, she did not think of trees at all. For its flexibility as a first or as a last name, she loved the name of Wilbur-and when she tired of her use of John, or was criticized by her colleague for overusing it, she could rarely come up with anything more original than a Robert Larch or a Jack Wilbur (she seemed not to know that Jack was often a nickname for John).

If he had been named by this dull, love-struck nurse, he probably would have been a Larch or a Wilbur of one kind or another; and a John, a Jack, or a Robert-to make matters even duller. Because it was the other nurse’s turn, he was named Homer Wells.

The other nurse’s father was in the business of drilling wells, which was hard, harrowing, honest, precise work-to her thinking her father was composed of these qualities, which lent the word “wells” a certain deep, down-to-earth aura. “Homer” had been the name of one of her family’s umpteen cats.

This other nurse-Nurse Angela, to almost everyone-rarely repeated the names of her babies, whereas poor Nurse Edna had named three John Wilbur Juniors, and two John Larch the Thirds. Nurse Angela knew an inexhaustible number of no-nonsense nouns, which she diligently employed as last names-Maple, Fields, Stone, Hill, Knot, Day, Waters (to list a few)-and a slightly less impressive list of first names borrowed from a family history of many dead but cherished pets (Felix, Fuzzy, Smoky, Sam, Snowy, Joe, Curly, Ed and so forth).

For most of the orphans, of course, these nurse-given names were temporary. The boys’ division had a better record than the girls’ division at placing the orphans in homes when they were babies; too young ever to know the names their good nurses had given them; most of the orphans wouldn’t even remember Nurse Angela or Nurse Edna, the first women in the world to fuss over them. Dr. Larch made it a firm policy that the orphans’ adoptive families not be informed of the names the nurses gave with such zeal. The feeling at St. Cloud’s was that a child, upon leaving the orphanage, should know the thrill of a fresh start-but (especially the boys who were difficult to place and lived at St. Cloud’s the longest) it was hard for Nurse Angela and Nurse Edna, and even for Dr. Larch, not to think of their John Wilburs and John Larches (their Felix Hills, Curly Maples, Joe Knots, Smoky Waterses) as possessing their nurse-given names forever.

The reason Homer Wells kept his name was that he came back to St. Cloud’s so many times, after so many failed foster home, that the orphanage was forced to acknowledge Homer’s intention to make St. Cloud’s his home. It was not easy for anyone to accept, but Nurse Angela and Nurse Edna-and, finally, Dr. Wilbur Larch-were forced to admit that Homer Wells belonged to St. Cloud’s. The determined boy was not put up for adoption anymore.

Nurse Angela, with her love of cats and orphans, once remarked of Homer Wells that the boy must adore the name she gave him because he fought so hard not to lose it.