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Saffire

A Novel

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Paperback
$14.99 US
5.5"W x 8.2"H x 0.9"D   | 11 oz | 24 per carton
On sale Aug 16, 2016 | 336 Pages | 9780307446510
I reminded myself that once you start to defend someone, it’s difficult to find a place to stop. But I went ahead and took that first step anyway. . .
  
For President Teddy Roosevelt, controlling the east-west passage between two oceans mattered so much that he orchestrated a revolution to control it. His command was to ‘let the dirt fly’ and for years, the American Zone of the Panama Canal mesmerized the world, working in uneasy co-existence with the Panamanian aristocrats. 

It’s in this buffered Zone where, in 1909, James Holt begins to protect a defenseless girl named Saffire, expecting a short and simple search for her mother. Instead it draws him away from safety, into a land haunted by a history of pirates, gold runners, and plantation owners, all leaving behind ghosts of their interwoven desires sins and ambitions, ghosts that create the web of deceit and intrigue of a new generation of revolutionary politics.  It will also bring him together with a woman who will change his course—or bring an end to it.
  
A love story set within a historical mystery, Saffire brings to life the most impressive-and embattled- engineering achievement of the twentieth-century.
"Brouwer's (Thief of Glory) captivating tale of intrigue, set in Panama in 1909, is tinged with romance, grounded in historical accuracy, and anchored by a powerful protagonist. James Holt's colorful past includes stints in Teddy Roosevelt's Rough Riders and Buffalo Bill's Wild West Show. When his old friend, now President Roosevelt, entices him to investigate sabotage at the Panama Canal construction site, Holt quickly finds conspiracies and collusions far darker than even Roosevelt imagined. While Panamanian revolutionaries attempt to wrench control of the canal from the U.S., white American Holt becomes more concerned with Saffire, a young mixed-race girl whose mother has mysteriously and improbably abandoned her. Holt is a complex hero of unmistakable integrity, driven by devotion and compassion and yet haunted by regrets. His steadfast determination makes him a courageous defender, but that same grit can become dangerously prideful. Holt occasionally needs a rescue himself. There are certainly inspirational elements to the story, but it doesn't delve deeply into religious or spiritual concerns. Brouwer's finely crafted, ethical tale will appeal to readers of historical fiction who appreciate clear divisions of good and evil." (starred review) —Publishers Weekly 

"An intelligent mystery...Sigmund Brouwer’s 'Saffire' is a fascinating novel. Unique, smart and compelling, Saffire is sure to be remembered well after the last page." —BookPage

"A well-crafted plot filled with clearly defined characters that are distinctive, sharp and detailed is the highlight of this story along with Brouwer’s fine, smooth, compelling storytelling. An unforgettable read." (TOP PICK) —Romantic Times

“Captivating! Emotional and impeccably researched. Saffire is a sweeping, early twentieth century novel with a colorful supporting cast and a main character who is both steadfast and strong. Brouwer weaves historical fact and storytelling with an expert pen—leaving the reader satisfied and, at times, in awe of the mystery and intrigue reminiscent of the classic Casablanca. I didn’t put it down until I turned the final page.”
—Kristy Cambron, award-winning author of The Ringmaster’s Wife


Praise for
The Christy Award “Book of the Year 2015” Thief of Glory

“Emotionally riveting and exquisitely raw, Thief of Glory is an unforgettable tale about survival, not just of the body, but of the heart and soul, with an ending that will echo in your mind long after you’ve closed the book. Brouwer is a master storyteller.”
—Susan Meissner, author of Secrets of a Charmed Life and Stars over Sunset Boulevard

“In Thief of Glory Sigmund Brouwer plunges readers into the mysterious embrace of the Dutch East Indies during the convulsions of the Second World War. Few authors have such an ability to immerse an audience in the sights, sounds, smells...and horrors! Brouwer makes you live it…sharing each moment of an exotic and terrifying time and place in a gripping, personal way.”
—Bodie and Brock Thoene, authors of Take This Cup

“Sigmund Brouwer’s Thief of Glory is a powerful story, richly told. Young Jeremiah Prins is a complex and fascinating hero, blessed with great gifts and challenged by choices to use them for good or evil. The details of life in a Japanese civilian prison camp are revealed in unflinching but compassionate realism, and the characters depict the human capacity for both great selfishness and great heroism. This is truly one of the best books I’ve read this year.”
—Sarah Sundin, award-winning author of On Distant Shores and In Perfect Time

“I’ve been a fan of Sigmund Brower’s books for ages, but Thief of Glory cocooned me in rich words, vivid descriptions, and true-to-life characters, making this book hard to put down. A fan of World War II, I’ve read countless tales, but World War II in the Dutch Indies was new to me, fresh and heart-wrenching at the same time. A true glimpse of light amongst darkness, made even more special due to the inspiration of his own parents’ true story. Thief of Glory is going on my keeper shelf!”
—Tricia Goyer, USA Today best-selling author of over forty books, including Chasing Mona Lisa
© Reba Baskett
Sigmund Brouwer is the author of 18 novels with nearly three million copies in print. His book The Last Disciple was featured in Time magazine and on ABC's Good Morning America. He is married to Christian recording artist Cindy Morgan, and they and their two daughters divide their time between homes in Alberta, Canada, and Nashville, Tennessee. View titles by Sigmund Brouwer
January 10, 1909
Col. Geo. W Goethals,
Chairman, I.C.C.
Culebra, Canal Zone
 
Sir:
 
I have the honor to report concerning the members of the Police Department smoking while in full uniform and on actual duty.
 
My attention is attracted every day by this breach of discipline. For instance, yesterday, the 22nd inst.
1st-class Sergeant Carter, in command at Empire, while in full uniform with badge on, was walking up and down in front of the railroad station at that place smoking a cigar. Today, at railroad station at Gorgona, 1st-class policeman No. 42, while on active duty, was leaning against building with one hand in pocket smoking first cigarette and then a cigar.
 
At same time and place, Policeman No. 77, also on active duty at time, walks up with a cigarette in his
mouth.
 
These are only a few instances. Most every day at some of the depots a policeman can be seen lounging
against something or even sitting down smoking.
 
It is certainly not a military position to assume and if there is no rule in regard to this matter, it would look like they could be instructed along this same line.
 
I also noted for the past month, the train-guard of train numbers 6 and 7, has worked up quite a flirtation
with a Mrs. Wilbur of Bohio, wife of a former policeman. On last Saturday, he assisted her train at Bohio and on arriving at Colon, he immediately joined her after having reported to his station. On return trip, he sits with her the entire time on train entirely neglecting his duties. Today she again gets on train at that point and on arriving at Colon, takes a cab for Pier No. 11, Cristobal. He joins her there. On return trip he again sits with her and the conductor is obliged to hunt him to have an unruly passenger ejected.
 
These, while small matters, cause comment from bystanders and passengers, causing the police force, for lack of discipline in same, to be a subject for gossip.
 
Respectfully,
T. B. Miskimon
 
Reporters called it Hell’s Gorge, the world-famous Culebra Cut of the canal dig, in the American Zone of
the Republic of Panama.
 
My view was from an observation deck, with a dozen tourists alongside me at the rails. Like the solitary woman walking on a path below us, they had stepped off the train with me.
 
Stairs from the top of the hill led down to the observation deck where I stood. The deck perched on the side of the dig, and a footpath, like a goat track, led away from the base of the stairs. The woman had been picking her way along, lifting her skirt slightly to keep the edges from getting soiled.
 
But . . . why was she down there alone?
 
Instead of admiring the sight of Hell’s Gorge or speculating on some woman’s actions, I should have been in the town on the ridge above, across from the train station, at the main administration building. That’s where I was to attend a meeting that had required weeks of travel, first on
horseback from my ranch, through the Dakota Badlands, to the train stop in the closest town, Medora. Then nearly two thousand miles east by rail to New York, followed by a steamship a similar distance south to Colón, and finally rail again for a short journey south, across the isthmus to Culebra.
 
But this view of the dig would be my only sightseeing of the entire six-week journey, and only because I’d arrived early enough this Sunday morning for the indulgence.
 
If only my young daughter Winona could see what was in front of me. She would have been fascinated by the giant chasm filled with apparent chaos, at the shovel gangs and track gangs and surfacing gangs and dynamite gangs. Everywhere — on the floor of the man-made valley, on the sheer walls of cut rock, on the railroad tracks, and on the railroad cars — scrambled gangs of all nationalities, all dressed in the blue shirts and the khaki trousers that marked them as possessions of the Isthmus Canal Commission. Possessions of the man with absolute control over every aspect of it, an Army Corps engineer named Colonel George Washington Goethals.
 
If Winona were here, she would talk about it for days after. My daughter was nothing if not enthusiastic. I could have been like many of those on the observation deck with me, using a folding pocket Kodak or a Brownie to take photographs to show her, but I had neither. But then, Winona loved to read, so I would write a wonderful description in my journal and read it to her when I returned home. As usual, I would enjoy our conversation, for her quick mind would spur her to ask about details until she could see it as clearly as I did now.
 
Perhaps if her mother were alive, I wouldn’t worry so about her. But it was just the two of us. And no job, no request awaiting me in the administration building, would keep me from her for one more day than necessary. I would do what I came here to do, refuse the offer, and immediately head back to Colón to board a steamer to begin my journey home —
 
I frowned. Something was wrong. No, not wrong . . .
 
Missing. The constant noise that had assaulted my ears was gone. Silence had fallen upon the gorge. Drills ceased thumping and workers scurried to a collection area. The observation deck had to be a safe place to witness why the workers had begun to scurry, otherwise it wouldn’t be here. Was I the only one to understand the cessation of work and the movement of workers as something significant?
 
Apparently so, for those around me scarcely paused in their discourse. I turned my attention back to the woman who had ventured onto the hillside below and to my right. “Ma’am,” I called, “I’d suggest you hurry back up here.”
 
She did not respond.
 
I set my valise on the floor of the deck and moved to the base of the stairs, raising my voice.
 
“Ma’am, can you hear me?”
 
On top of the hill, a strong constant breeze from the Pacific up to the Continental Divide whistled through the canopies of the palm trees. While the patterned bark trunks and notched broad leaves were new to me, wind was wind, something that seemed to have a life of its own. I had grown up with long grasses that rippled to the horizon, wind that rustled the leaves of cottonwoods, flashing the pale underparts of leaves like minnows scurrying from a heron.
 
No, the wind hadn’t sent me from the top of the chasm down here into the Culebra Cut. Rather, it was the fact that down here I was away from the gaggles of tourists with the dangerous points of their careless parasols, nattering like geese out of range of a defeated coyote.
 
The tourists had come, even this early in the morning, because this, the acclaimed seventh wonder of the world, drew them from every point on the globe. They clogged hotels and restaurants at the anchor ports of Panama City and Colón on each end of the Canal Zone, these tourists determined to send postcards as markers of pride. It was said that the only accomplishment that might ever be more wondrous than connecting the oceans would be a flight to the moon, and since that was impossible, the digging of the canal would be the pinnacle of human marvel.
 
But I had regretted my descent into the cut almost immediately. On the observation deck, it seemed like I’d dropped into Hades. Another hundred yards past the woman, the dig had exposed pyrite on the hillside. Tropical sun and moist atmosphere exacerbated the oxidation process, heating a narrow patch of ground the length of dozens of railcars. Blue smoke, rotten with the smell of sulfur dioxide, rose from fractures, adding to the haze of heavy clouds of soft coal dust that hung over all the machinery.
 
The woman, it seemed, wanted to get closer to the pyrite out of curiosity or idle boredom, both dangerous prospects.
 
“Ma’am!”
 
I did not like where I was. It had taken my exile years to appreciate that I preferred the solitude of canyons and mud flats where rivers cut through badlands. Horses were my choice, not machines. And yet here, stretched as far as I could see in both directions along the chasm, were the biggest machines in the world. Modern miracles. Steam shovels with buckets capable of filling a flatbed train with two scoops. Beginning at the top, these monstrosities had cut a widening gap, turning each of the opposing sides of the valley into sets of massive steps, with a series of parallel tracks on each level, the flatcars supplicant for their loads of dirt, ready to follow the belching locomotives.
 
I missed the soft haunting sounds of coyotes and owls and mourning doves, the snort of a startled deer. Before Sharps shooters had massacred the buffalo, the thunder of moving herds might have been an apt comparison to the deep rumble of the steam shovels below me, but now the screech of steel wheels against steel tracks was like bone grating against bone, and the hillside shrieked in protest as the steam shovels tore at its flesh. House-sized boulders tumbled into the shallow black water collecting at the lowest point of the cut.
 
Intense tropical heat induced the sweat that soaked my shirt and hatband. I missed my arid badlands.
 
A few hundred yards away, the woman kept picking her way toward the burning ground and the blue sulfurous smoke. What was she seeking? A souvenir?
 
I took a half step. Perhaps I should chase after her. Then, as my front foot touched down, it came.
 
A rock-heaving blast of epic proportions.

About

I reminded myself that once you start to defend someone, it’s difficult to find a place to stop. But I went ahead and took that first step anyway. . .
  
For President Teddy Roosevelt, controlling the east-west passage between two oceans mattered so much that he orchestrated a revolution to control it. His command was to ‘let the dirt fly’ and for years, the American Zone of the Panama Canal mesmerized the world, working in uneasy co-existence with the Panamanian aristocrats. 

It’s in this buffered Zone where, in 1909, James Holt begins to protect a defenseless girl named Saffire, expecting a short and simple search for her mother. Instead it draws him away from safety, into a land haunted by a history of pirates, gold runners, and plantation owners, all leaving behind ghosts of their interwoven desires sins and ambitions, ghosts that create the web of deceit and intrigue of a new generation of revolutionary politics.  It will also bring him together with a woman who will change his course—or bring an end to it.
  
A love story set within a historical mystery, Saffire brings to life the most impressive-and embattled- engineering achievement of the twentieth-century.

Praise

"Brouwer's (Thief of Glory) captivating tale of intrigue, set in Panama in 1909, is tinged with romance, grounded in historical accuracy, and anchored by a powerful protagonist. James Holt's colorful past includes stints in Teddy Roosevelt's Rough Riders and Buffalo Bill's Wild West Show. When his old friend, now President Roosevelt, entices him to investigate sabotage at the Panama Canal construction site, Holt quickly finds conspiracies and collusions far darker than even Roosevelt imagined. While Panamanian revolutionaries attempt to wrench control of the canal from the U.S., white American Holt becomes more concerned with Saffire, a young mixed-race girl whose mother has mysteriously and improbably abandoned her. Holt is a complex hero of unmistakable integrity, driven by devotion and compassion and yet haunted by regrets. His steadfast determination makes him a courageous defender, but that same grit can become dangerously prideful. Holt occasionally needs a rescue himself. There are certainly inspirational elements to the story, but it doesn't delve deeply into religious or spiritual concerns. Brouwer's finely crafted, ethical tale will appeal to readers of historical fiction who appreciate clear divisions of good and evil." (starred review) —Publishers Weekly 

"An intelligent mystery...Sigmund Brouwer’s 'Saffire' is a fascinating novel. Unique, smart and compelling, Saffire is sure to be remembered well after the last page." —BookPage

"A well-crafted plot filled with clearly defined characters that are distinctive, sharp and detailed is the highlight of this story along with Brouwer’s fine, smooth, compelling storytelling. An unforgettable read." (TOP PICK) —Romantic Times

“Captivating! Emotional and impeccably researched. Saffire is a sweeping, early twentieth century novel with a colorful supporting cast and a main character who is both steadfast and strong. Brouwer weaves historical fact and storytelling with an expert pen—leaving the reader satisfied and, at times, in awe of the mystery and intrigue reminiscent of the classic Casablanca. I didn’t put it down until I turned the final page.”
—Kristy Cambron, award-winning author of The Ringmaster’s Wife


Praise for
The Christy Award “Book of the Year 2015” Thief of Glory

“Emotionally riveting and exquisitely raw, Thief of Glory is an unforgettable tale about survival, not just of the body, but of the heart and soul, with an ending that will echo in your mind long after you’ve closed the book. Brouwer is a master storyteller.”
—Susan Meissner, author of Secrets of a Charmed Life and Stars over Sunset Boulevard

“In Thief of Glory Sigmund Brouwer plunges readers into the mysterious embrace of the Dutch East Indies during the convulsions of the Second World War. Few authors have such an ability to immerse an audience in the sights, sounds, smells...and horrors! Brouwer makes you live it…sharing each moment of an exotic and terrifying time and place in a gripping, personal way.”
—Bodie and Brock Thoene, authors of Take This Cup

“Sigmund Brouwer’s Thief of Glory is a powerful story, richly told. Young Jeremiah Prins is a complex and fascinating hero, blessed with great gifts and challenged by choices to use them for good or evil. The details of life in a Japanese civilian prison camp are revealed in unflinching but compassionate realism, and the characters depict the human capacity for both great selfishness and great heroism. This is truly one of the best books I’ve read this year.”
—Sarah Sundin, award-winning author of On Distant Shores and In Perfect Time

“I’ve been a fan of Sigmund Brower’s books for ages, but Thief of Glory cocooned me in rich words, vivid descriptions, and true-to-life characters, making this book hard to put down. A fan of World War II, I’ve read countless tales, but World War II in the Dutch Indies was new to me, fresh and heart-wrenching at the same time. A true glimpse of light amongst darkness, made even more special due to the inspiration of his own parents’ true story. Thief of Glory is going on my keeper shelf!”
—Tricia Goyer, USA Today best-selling author of over forty books, including Chasing Mona Lisa

Author

© Reba Baskett
Sigmund Brouwer is the author of 18 novels with nearly three million copies in print. His book The Last Disciple was featured in Time magazine and on ABC's Good Morning America. He is married to Christian recording artist Cindy Morgan, and they and their two daughters divide their time between homes in Alberta, Canada, and Nashville, Tennessee. View titles by Sigmund Brouwer

Excerpt

January 10, 1909
Col. Geo. W Goethals,
Chairman, I.C.C.
Culebra, Canal Zone
 
Sir:
 
I have the honor to report concerning the members of the Police Department smoking while in full uniform and on actual duty.
 
My attention is attracted every day by this breach of discipline. For instance, yesterday, the 22nd inst.
1st-class Sergeant Carter, in command at Empire, while in full uniform with badge on, was walking up and down in front of the railroad station at that place smoking a cigar. Today, at railroad station at Gorgona, 1st-class policeman No. 42, while on active duty, was leaning against building with one hand in pocket smoking first cigarette and then a cigar.
 
At same time and place, Policeman No. 77, also on active duty at time, walks up with a cigarette in his
mouth.
 
These are only a few instances. Most every day at some of the depots a policeman can be seen lounging
against something or even sitting down smoking.
 
It is certainly not a military position to assume and if there is no rule in regard to this matter, it would look like they could be instructed along this same line.
 
I also noted for the past month, the train-guard of train numbers 6 and 7, has worked up quite a flirtation
with a Mrs. Wilbur of Bohio, wife of a former policeman. On last Saturday, he assisted her train at Bohio and on arriving at Colon, he immediately joined her after having reported to his station. On return trip, he sits with her the entire time on train entirely neglecting his duties. Today she again gets on train at that point and on arriving at Colon, takes a cab for Pier No. 11, Cristobal. He joins her there. On return trip he again sits with her and the conductor is obliged to hunt him to have an unruly passenger ejected.
 
These, while small matters, cause comment from bystanders and passengers, causing the police force, for lack of discipline in same, to be a subject for gossip.
 
Respectfully,
T. B. Miskimon
 
Reporters called it Hell’s Gorge, the world-famous Culebra Cut of the canal dig, in the American Zone of
the Republic of Panama.
 
My view was from an observation deck, with a dozen tourists alongside me at the rails. Like the solitary woman walking on a path below us, they had stepped off the train with me.
 
Stairs from the top of the hill led down to the observation deck where I stood. The deck perched on the side of the dig, and a footpath, like a goat track, led away from the base of the stairs. The woman had been picking her way along, lifting her skirt slightly to keep the edges from getting soiled.
 
But . . . why was she down there alone?
 
Instead of admiring the sight of Hell’s Gorge or speculating on some woman’s actions, I should have been in the town on the ridge above, across from the train station, at the main administration building. That’s where I was to attend a meeting that had required weeks of travel, first on
horseback from my ranch, through the Dakota Badlands, to the train stop in the closest town, Medora. Then nearly two thousand miles east by rail to New York, followed by a steamship a similar distance south to Colón, and finally rail again for a short journey south, across the isthmus to Culebra.
 
But this view of the dig would be my only sightseeing of the entire six-week journey, and only because I’d arrived early enough this Sunday morning for the indulgence.
 
If only my young daughter Winona could see what was in front of me. She would have been fascinated by the giant chasm filled with apparent chaos, at the shovel gangs and track gangs and surfacing gangs and dynamite gangs. Everywhere — on the floor of the man-made valley, on the sheer walls of cut rock, on the railroad tracks, and on the railroad cars — scrambled gangs of all nationalities, all dressed in the blue shirts and the khaki trousers that marked them as possessions of the Isthmus Canal Commission. Possessions of the man with absolute control over every aspect of it, an Army Corps engineer named Colonel George Washington Goethals.
 
If Winona were here, she would talk about it for days after. My daughter was nothing if not enthusiastic. I could have been like many of those on the observation deck with me, using a folding pocket Kodak or a Brownie to take photographs to show her, but I had neither. But then, Winona loved to read, so I would write a wonderful description in my journal and read it to her when I returned home. As usual, I would enjoy our conversation, for her quick mind would spur her to ask about details until she could see it as clearly as I did now.
 
Perhaps if her mother were alive, I wouldn’t worry so about her. But it was just the two of us. And no job, no request awaiting me in the administration building, would keep me from her for one more day than necessary. I would do what I came here to do, refuse the offer, and immediately head back to Colón to board a steamer to begin my journey home —
 
I frowned. Something was wrong. No, not wrong . . .
 
Missing. The constant noise that had assaulted my ears was gone. Silence had fallen upon the gorge. Drills ceased thumping and workers scurried to a collection area. The observation deck had to be a safe place to witness why the workers had begun to scurry, otherwise it wouldn’t be here. Was I the only one to understand the cessation of work and the movement of workers as something significant?
 
Apparently so, for those around me scarcely paused in their discourse. I turned my attention back to the woman who had ventured onto the hillside below and to my right. “Ma’am,” I called, “I’d suggest you hurry back up here.”
 
She did not respond.
 
I set my valise on the floor of the deck and moved to the base of the stairs, raising my voice.
 
“Ma’am, can you hear me?”
 
On top of the hill, a strong constant breeze from the Pacific up to the Continental Divide whistled through the canopies of the palm trees. While the patterned bark trunks and notched broad leaves were new to me, wind was wind, something that seemed to have a life of its own. I had grown up with long grasses that rippled to the horizon, wind that rustled the leaves of cottonwoods, flashing the pale underparts of leaves like minnows scurrying from a heron.
 
No, the wind hadn’t sent me from the top of the chasm down here into the Culebra Cut. Rather, it was the fact that down here I was away from the gaggles of tourists with the dangerous points of their careless parasols, nattering like geese out of range of a defeated coyote.
 
The tourists had come, even this early in the morning, because this, the acclaimed seventh wonder of the world, drew them from every point on the globe. They clogged hotels and restaurants at the anchor ports of Panama City and Colón on each end of the Canal Zone, these tourists determined to send postcards as markers of pride. It was said that the only accomplishment that might ever be more wondrous than connecting the oceans would be a flight to the moon, and since that was impossible, the digging of the canal would be the pinnacle of human marvel.
 
But I had regretted my descent into the cut almost immediately. On the observation deck, it seemed like I’d dropped into Hades. Another hundred yards past the woman, the dig had exposed pyrite on the hillside. Tropical sun and moist atmosphere exacerbated the oxidation process, heating a narrow patch of ground the length of dozens of railcars. Blue smoke, rotten with the smell of sulfur dioxide, rose from fractures, adding to the haze of heavy clouds of soft coal dust that hung over all the machinery.
 
The woman, it seemed, wanted to get closer to the pyrite out of curiosity or idle boredom, both dangerous prospects.
 
“Ma’am!”
 
I did not like where I was. It had taken my exile years to appreciate that I preferred the solitude of canyons and mud flats where rivers cut through badlands. Horses were my choice, not machines. And yet here, stretched as far as I could see in both directions along the chasm, were the biggest machines in the world. Modern miracles. Steam shovels with buckets capable of filling a flatbed train with two scoops. Beginning at the top, these monstrosities had cut a widening gap, turning each of the opposing sides of the valley into sets of massive steps, with a series of parallel tracks on each level, the flatcars supplicant for their loads of dirt, ready to follow the belching locomotives.
 
I missed the soft haunting sounds of coyotes and owls and mourning doves, the snort of a startled deer. Before Sharps shooters had massacred the buffalo, the thunder of moving herds might have been an apt comparison to the deep rumble of the steam shovels below me, but now the screech of steel wheels against steel tracks was like bone grating against bone, and the hillside shrieked in protest as the steam shovels tore at its flesh. House-sized boulders tumbled into the shallow black water collecting at the lowest point of the cut.
 
Intense tropical heat induced the sweat that soaked my shirt and hatband. I missed my arid badlands.
 
A few hundred yards away, the woman kept picking her way toward the burning ground and the blue sulfurous smoke. What was she seeking? A souvenir?
 
I took a half step. Perhaps I should chase after her. Then, as my front foot touched down, it came.
 
A rock-heaving blast of epic proportions.