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The Joy Luck Club

A Novel

Author Amy Tan
Illustrated by Jessica Hische
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Hardcover
$30.00 US
5.38"W x 7.75"H x 1.15"D   | 15 oz | 32 per carton
On sale Apr 23, 2014 | 352 Pages | 9780143124849
Reading Level: Fountas & Pinnell Z+
The Joy Luck Club is one of my favorite books. From the moment I first started reading it, I knew it was going to be incredible. For me, it was one of those once-in-a-lifetime reading experiences that you cherish forever. It inspired me as a writer and still remains hugely inspirational.” —Kevin Kwan, author of Crazy Rich Asians

From A to Z, the Penguin Drop Caps series collects 26 unique hardcovers—featuring cover art by Jessica Hische


It all begins with a letter. Fall in love with Penguin Drop Caps, a new series of twenty-six collectible and hardcover editions, each with a type cover showcasing a gorgeously illustrated letter of the alphabet. In a design collaboration between Jessica Hische and Penguin Art Director Paul Buckley, the series features unique cover art by Hische, a superstar in the world of type design and illustration, whose work has appeared everywhere from Tiffany & Co. to Wes Anderson's recent film Moonrise Kingdom to Penguin's own bestsellers Committed and Rules of Civility. With exclusive designs that have never before appeared on Hische's hugely popular Daily Drop Cap blog, the Penguin Drop Caps series debuted with an 'A' for Jane Austen's Pride and Prejudice, a 'B' for Charlotte Brönte's Jane Eyre, and a 'C' for Willa Cather's My Ántonia. It continues with more perennial classics, perfect to give as elegant gifts or to showcase on your own shelves.

T is for Tan. In 1949 four Chinese women, recent immigrants to San Francisco, begin meeting to eat dim sum, play mahjong, and talk. United in shared unspeakable loss and hope, they call themselves the Joy Luck Club. With wit and sensitivity, Amy Tan examines the sometimes painful, often tender, and always deep connection between these four women and their American-born daughters. As each woman reveals her secrets, trying to unravel the truth about her life, the strings become more tangled, more entwined.
Winner of the 2012 Fifty Books/Fifty Covers show, organized by Design Observer in association with AIGA and Designers & Books

Winner of the 2014 Type Directors Club Communication Design Award

Praise for Joy Luck Club:

"Honest, moving, and beautifully courageous. Amy Tan shows us China, Chinese-American women and their families, and the mystery of the mother-daughter bond in ways that we have not experienced before."
—Alice Walker

"Tracing the poignant destinies of two generations of tough, intelligent women, each gorgeously written page welcomes the reader and leads to an enlightenment that, like all true wisdom, sometimes brings pleasure and sometimes sadness."
Chicago Tribune

“Reading it really changed the way I thought about Asian-American history. Our heritage has a lot of difficult stuff in it — a lot of misogyny, a lot of fear and rage and death. It showed me a past that reached beyond borders and languages and cultures to bring together these disparate elements of who we are. I hadn’t seen our history like that before. At that time, we hadn’t seen a lot of Asian-American representations anywhere, so it was a big deal that it even existed. It made me feel validated and seen. That’s what’s so important about books like that. You feel like, Oh my god, I exist here. I exist in this landscape of literature and memoir. I’m here, and I have a story to tell, and it’s among the canon of Asian-American stories that are feminist and that are true to our being. It’s a book that has stayed with me and lived in me.”
—Margaret Cho

Praise for Penguin Drop Caps:

"[Penguin Drop Caps] convey a sense of nostalgia for the tactility and aesthetic power of a physical book and for a centuries-old tradition of beautiful lettering."
Fast Company

“Vibrant, minimalist new typographic covers…. Bonus points for the heartening gender balance of the initial selections.”
—Maria Popova, Brain Pickings

"The Penguin Drop Caps series is a great example of the power of design. Why buy these particular classics when there are less expensive, even free editions of Great Expectations? Because they’re beautiful objects. Paul Buckley and Jessica Hische’s fresh approach to the literary classics reduces the design down to typography and color. Each cover is foil-stamped with a cleverly illustrated letterform that reveals an element of the story. Jane Austen’s A (Pride and Prejudice) is formed by opulent peacock feathers and Charlotte Bronte’s B (Jane Eyre) is surrounded by flames. The complete set forms a rainbow spectrum prettier than anything else on your bookshelf."
—Rex Bonomelli, The New York Times

"Drool-inducing."
Flavorwire

"Classic reads in stunning covers—your book club will be dying."
Redbook
© Enmei Tan
AMY TAN is the author of several novels, including The Joy Luck Club and The Bonesetter's Daughter. She is a co-producer and co-screenwriter of the film version of The Joy Luck Club and is on the board of American Bird Conservancy. She lives in Sausalito, California. View titles by Amy Tan
Jessica Hische grew up in Pennsylvania. She currently lives in San Francisco, where she works as a letterer, illustrator, type designer, and relentless procrastiworker. Clients include Wes Anderson, Dave Eggers, The New York Times, Tiffany & Co., OXFAM America, McSweeney's, American Express, Target, Victoria's Secret, Chronicle Books, Nike, and Samsung. website: jessicahische.is | twitter: @jessicahische. View titles by Jessica Hische

About

The Joy Luck Club is one of my favorite books. From the moment I first started reading it, I knew it was going to be incredible. For me, it was one of those once-in-a-lifetime reading experiences that you cherish forever. It inspired me as a writer and still remains hugely inspirational.” —Kevin Kwan, author of Crazy Rich Asians

From A to Z, the Penguin Drop Caps series collects 26 unique hardcovers—featuring cover art by Jessica Hische


It all begins with a letter. Fall in love with Penguin Drop Caps, a new series of twenty-six collectible and hardcover editions, each with a type cover showcasing a gorgeously illustrated letter of the alphabet. In a design collaboration between Jessica Hische and Penguin Art Director Paul Buckley, the series features unique cover art by Hische, a superstar in the world of type design and illustration, whose work has appeared everywhere from Tiffany & Co. to Wes Anderson's recent film Moonrise Kingdom to Penguin's own bestsellers Committed and Rules of Civility. With exclusive designs that have never before appeared on Hische's hugely popular Daily Drop Cap blog, the Penguin Drop Caps series debuted with an 'A' for Jane Austen's Pride and Prejudice, a 'B' for Charlotte Brönte's Jane Eyre, and a 'C' for Willa Cather's My Ántonia. It continues with more perennial classics, perfect to give as elegant gifts or to showcase on your own shelves.

T is for Tan. In 1949 four Chinese women, recent immigrants to San Francisco, begin meeting to eat dim sum, play mahjong, and talk. United in shared unspeakable loss and hope, they call themselves the Joy Luck Club. With wit and sensitivity, Amy Tan examines the sometimes painful, often tender, and always deep connection between these four women and their American-born daughters. As each woman reveals her secrets, trying to unravel the truth about her life, the strings become more tangled, more entwined.

Praise

Winner of the 2012 Fifty Books/Fifty Covers show, organized by Design Observer in association with AIGA and Designers & Books

Winner of the 2014 Type Directors Club Communication Design Award

Praise for Joy Luck Club:

"Honest, moving, and beautifully courageous. Amy Tan shows us China, Chinese-American women and their families, and the mystery of the mother-daughter bond in ways that we have not experienced before."
—Alice Walker

"Tracing the poignant destinies of two generations of tough, intelligent women, each gorgeously written page welcomes the reader and leads to an enlightenment that, like all true wisdom, sometimes brings pleasure and sometimes sadness."
Chicago Tribune

“Reading it really changed the way I thought about Asian-American history. Our heritage has a lot of difficult stuff in it — a lot of misogyny, a lot of fear and rage and death. It showed me a past that reached beyond borders and languages and cultures to bring together these disparate elements of who we are. I hadn’t seen our history like that before. At that time, we hadn’t seen a lot of Asian-American representations anywhere, so it was a big deal that it even existed. It made me feel validated and seen. That’s what’s so important about books like that. You feel like, Oh my god, I exist here. I exist in this landscape of literature and memoir. I’m here, and I have a story to tell, and it’s among the canon of Asian-American stories that are feminist and that are true to our being. It’s a book that has stayed with me and lived in me.”
—Margaret Cho

Praise for Penguin Drop Caps:

"[Penguin Drop Caps] convey a sense of nostalgia for the tactility and aesthetic power of a physical book and for a centuries-old tradition of beautiful lettering."
Fast Company

“Vibrant, minimalist new typographic covers…. Bonus points for the heartening gender balance of the initial selections.”
—Maria Popova, Brain Pickings

"The Penguin Drop Caps series is a great example of the power of design. Why buy these particular classics when there are less expensive, even free editions of Great Expectations? Because they’re beautiful objects. Paul Buckley and Jessica Hische’s fresh approach to the literary classics reduces the design down to typography and color. Each cover is foil-stamped with a cleverly illustrated letterform that reveals an element of the story. Jane Austen’s A (Pride and Prejudice) is formed by opulent peacock feathers and Charlotte Bronte’s B (Jane Eyre) is surrounded by flames. The complete set forms a rainbow spectrum prettier than anything else on your bookshelf."
—Rex Bonomelli, The New York Times

"Drool-inducing."
Flavorwire

"Classic reads in stunning covers—your book club will be dying."
Redbook

Author

© Enmei Tan
AMY TAN is the author of several novels, including The Joy Luck Club and The Bonesetter's Daughter. She is a co-producer and co-screenwriter of the film version of The Joy Luck Club and is on the board of American Bird Conservancy. She lives in Sausalito, California. View titles by Amy Tan
Jessica Hische grew up in Pennsylvania. She currently lives in San Francisco, where she works as a letterer, illustrator, type designer, and relentless procrastiworker. Clients include Wes Anderson, Dave Eggers, The New York Times, Tiffany & Co., OXFAM America, McSweeney's, American Express, Target, Victoria's Secret, Chronicle Books, Nike, and Samsung. website: jessicahische.is | twitter: @jessicahische. View titles by Jessica Hische

The Great American Read

The Great American Read is a 9-hour, 8-episode PBS documentary series and public service campaign that explores and celebrates the power of reading, told through the prism of 100 best-loved novels (as chosen in a nationally-representative survey). It investigates how and why writers create their imaginary worlds, how we as readers are personally affected by

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