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The Theban Plays

King Oedipus; Oedipus at Colonus; Antigone

Author Sophocles
Introduction by E. F. Watling
Translated by E. F. Watling
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On sale Jun 30, 1950 | 176 Pages | 9780140440034
‘O Light! May I never look on you again,
Revealed as I am, sinful in my begetting,
Sinful in marriage, sinful in shedding of blood!’

 

The legends surrounding the royal house of Thebes inspired Sophocles (496–406 BC) to create a powerful trilogy of mankind’s struggle against fate. King Oedipus tells of a man who brings pestilence to Thebes for crimes he does not realise he has committed, and then inflicts a brutal punishment upon himself. With profound insights into the human condition, it is a devastating portrayal of a ruler brought down by his own oath. Oedipus at Colonus provides a fitting conclusion to the life of the aged and blinded king, while Antigone depicts the fall of the next generation, through the conflict between a young woman ruled by her conscience and a king too confident in his own authority.

E. F. Watling’s masterful translation is accompanied by an introduction, which examines the central themes of the plays, the role of the Chorus, and the traditions and staging of Greek tragedy.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

“[Oedipus the King] is Sophocles’ most famous play and the most celebrated play of Greek drama . . . Aristotle cites it as the best model for a tragic plot . . . Freud recognized the play’s power to dramatize the process by which we uncover hidden truths about ourselves . . . Sophocles is more interested in how Oedipus pieces together the isolated fragments of his past to discover who and what he is and in tracing the hero’s response to this new vision of himself.”—from the Introduction by Charles Segal
Sophocles, the Greek tragic dramatist, was born at Colonus near Athens about 496 B.C. Although hopelessness and misfortune plague the characters in his great plays, Sophocles's own life was a long, prosperous one. He was from a good family, well educated, handsome, wealthy, healthy, and highly respected by his fellow Athenians. His first dramatic production, in 468, won the prize over Aeschylus's. He wrote two dozen more plays before 450, by which date he had made important changes in the form of tragedy by adding a third speaking actor to the traditional two, by reducing the importance of the chorus, and by improving the stage scenery. Sophocles wrote over 120 plays; seven complete plays survive (plus half a light satyr play, some fragments, and ninety titles). Aristotle, in his Poetics, praised Sophocles above other tragedians and regarded his masterpiece, OEDIPUS THE KING, as a model for Greek tragedy. Sophocles's plays won more victories than the plays of either his older contemporary Aeschylus or the younger Euripides. The circumstances of his life, as well as his plays, suggest that Sophocles was conservative, and opposed to innovation in religion and politics. At eighty-three he was still active in the Athenian government. He died in 406 B.C. in Athens at the age of ninety. View titles by Sophocles
The Theban PlaysIntroduction

The Theban Legend

King Oedipus

The Legend Continued

Oedipus at Colonus

The Legend Continued

Antigone

Notes to King Oedipus
Notes to Oedipus at Colonus
Notes to Antigone

About

‘O Light! May I never look on you again,
Revealed as I am, sinful in my begetting,
Sinful in marriage, sinful in shedding of blood!’

 

The legends surrounding the royal house of Thebes inspired Sophocles (496–406 BC) to create a powerful trilogy of mankind’s struggle against fate. King Oedipus tells of a man who brings pestilence to Thebes for crimes he does not realise he has committed, and then inflicts a brutal punishment upon himself. With profound insights into the human condition, it is a devastating portrayal of a ruler brought down by his own oath. Oedipus at Colonus provides a fitting conclusion to the life of the aged and blinded king, while Antigone depicts the fall of the next generation, through the conflict between a young woman ruled by her conscience and a king too confident in his own authority.

E. F. Watling’s masterful translation is accompanied by an introduction, which examines the central themes of the plays, the role of the Chorus, and the traditions and staging of Greek tragedy.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Praise

“[Oedipus the King] is Sophocles’ most famous play and the most celebrated play of Greek drama . . . Aristotle cites it as the best model for a tragic plot . . . Freud recognized the play’s power to dramatize the process by which we uncover hidden truths about ourselves . . . Sophocles is more interested in how Oedipus pieces together the isolated fragments of his past to discover who and what he is and in tracing the hero’s response to this new vision of himself.”—from the Introduction by Charles Segal

Author

Sophocles, the Greek tragic dramatist, was born at Colonus near Athens about 496 B.C. Although hopelessness and misfortune plague the characters in his great plays, Sophocles's own life was a long, prosperous one. He was from a good family, well educated, handsome, wealthy, healthy, and highly respected by his fellow Athenians. His first dramatic production, in 468, won the prize over Aeschylus's. He wrote two dozen more plays before 450, by which date he had made important changes in the form of tragedy by adding a third speaking actor to the traditional two, by reducing the importance of the chorus, and by improving the stage scenery. Sophocles wrote over 120 plays; seven complete plays survive (plus half a light satyr play, some fragments, and ninety titles). Aristotle, in his Poetics, praised Sophocles above other tragedians and regarded his masterpiece, OEDIPUS THE KING, as a model for Greek tragedy. Sophocles's plays won more victories than the plays of either his older contemporary Aeschylus or the younger Euripides. The circumstances of his life, as well as his plays, suggest that Sophocles was conservative, and opposed to innovation in religion and politics. At eighty-three he was still active in the Athenian government. He died in 406 B.C. in Athens at the age of ninety. View titles by Sophocles

Table of Contents

The Theban PlaysIntroduction

The Theban Legend

King Oedipus

The Legend Continued

Oedipus at Colonus

The Legend Continued

Antigone

Notes to King Oedipus
Notes to Oedipus at Colonus
Notes to Antigone